Americanah

Seminar paper from the year 2020 in the subject American Studies - Literature, grade: 2,0, University of Dusseldorf "Heinrich Heine", language: English, abstract: "Americanah" is a novel written by Chimamanda Ngozi Adichie. The narrative centers in the experience of Ifemelu, a Nigerian woman who migrated to the USA, and her childhood sweetheart Obinze, a Nigerian man who migrated to the UK, during their adolescence and adult life. Each of their identities is altered by the experiences they face in the Western world. In my term paper, I will analyze the processes of migration through the lens of Intersectionality. I want to show that it is not sufficient to analyze the obstacles they face based merely on race or nationality. Each of them faces different obstacles due to the Intersectionality of factors like race, gender, class, and political views. In the paper, I will focus on the Intersectionality of race and gender as Ifemelu and Obinze migrate away from and back to Nigeria. I will start my analysis by explaining the term Intersectionality. Then, I will elaborate on the stereotypical gender roles in Nigeria to overview the expectations regarding their gender Ifemelu and Obinze grew up with and eventually have to change once they move to the western world. In my main part, I will first analyze Ifemelu's migration story in terms of her gender and race. In this analysis, I will focus on the topics perception of beauty, mainly regarding hair, romantic relationships, and her experiences with finding a job in the USA. Secondly, I will analyze Obinze's migration story as a Black man by considering his relationship with women and their roles in society and his experiences with jobs in the UK. Lastly, I will compare their experiences with migration based on their different genders.

Seminar paper from the year 2021 in the subject American Studies - Literature, grade: 1,3, University of Cologne, language: English, abstract: “Americanah” by Chimamanda Ngozi Adichie is a representative Afropolitan migration novel that depicts the still prevalent institutional and everyday racism underlying and deeply embedded in American society. In the following, I will therefore assess to what extent racism and discrimination affect the character Ifemelu and the process of her Afropolitan identity formation after migrating to the US and back to Nigeria again. The crucial underlying question is whether the US could live up to its own ideals as they always preached equality and freedom for every American citizen or whether they fail to set an international example for equality for all.

Contemporary African American and Black British Women Writers: Narrative, Race, Ethics brings together British and American scholars to explore how, in texts by contemporary black women writers in the U. S. and Britain, formal narrative techniques express new understandings of race or stimulate ethical thinking about race in a reader. Taken together, the essays also demonstrate that black women writers from both sides of the Atlantic borrow formal structures and literary techniques from one another to describe the workings of structural racism in the daily lives of black subjects and to provoke readers to think anew about race. Narratology has only recently begun to use race as a category of narrative theory. This collection seeks both to show the ethical effects of narrative form on individual readers and to foster reconceptualizations of narrative theory that account for the workings of race within literature and culture.

This book explores literary representations of African immigrant experiences in Western countries, against the backdrop of colonial stereotypes and recent expressions of anti-immigrant sentiment in Europe and America. The book deploys the concept of coloniality of migrancy to explore how global coloniality continues to shape the identities and lived experiences of African immigrants as represented in African diasporic literatures. It considers the persistence of racist and discriminatory attitudes and patterns of thought that developed during slavery and colonialism, and asks to what extent it is possible for African immigrants to transcend race in their configuration of their identity. Five key twenty-first century African diasporic novels are considered in the analysis: Imbolo Mbue’s Behold the Dreamers, Dave Eggers’ What is the What: The Autobiography of Valentino Achak Deng, Chimamanda Ngozi Adichie’s Americanah, NoViolet Bulawayo’s We Need New Names and Helon Habila’s Travellers. Overall, the book demonstrates that despite the hostility migrants of colour encounter, Africans are shunning the victimhood of colonialism and slavery and finding alternative ways of navigating and inhabiting the modern world. Foregrounding the usefulness of decoloniality and postcolonial theory as theoretical tools, this book will be an invaluable resource to researchers across the fields of African literature, migration, sociology, politics, and decolonial studies.

Frontcover -- Contents -- Notes on Contributors -- Acknowledgements -- Introduction -- 1. Narrating the Past: Orality, History & the Production of Knowledge in the Works of Chimamanda Ngozi Adichie -- 2. Deconstructing Binary Oppositions of Gender in Purple Hibiscus: A Review of Religious/Traditional Superiority & Silence -- 3. Adichie & the West African Voice: Women & Power in Purple Hibiscus -- 4. Reconstructing Motherhood: A Mutative Reality in Purple Hibiscus -- 5. Ritualized Abuse in Purple Hibiscus -- 6. Dining Room & Kitchen: Food-Related Spaces & their Interfaces with the Female Body in Purple Hibiscus -- 7. The Paradox of Vulnerability: The Child Voice in Purple Hibiscus -- 8. 'Fragile Negotiations': Olanna's Melancholia in Half of a Yellow Sun -- 9. The Biafran War & the Evolution of Domestic Space in Half of a Yellow Sun -- 10. Corruption in Post-Independence Politics: Half of a Yellow Sun as a Reflection of A Man of the People -- 11. Contrasting Gender Roles in Male-Crafted Fiction with Half of a Yellow Sun -- 12. 'A Kind of Paradise': Chimamanda Ngozi Adichie's Claim to Agency, Responsibility & Writing -- 13. Dislocation, Cultural Memory & Transcultural Identity in Select Stories from The Thing Around Your Neck -- 14. 'Reverse Appropriations' & Transplantation in Americanah -- 15. Revisiting Double Consciousness & Relocating the Self in Americanah -- 16. Adichie's Americanah: A Migrant Bildungsroman -- 17. 'Hairitage' Matters: Transitioning & the Third Wave Hair Movement in 'Hair', 'Imitation' & Americanah -- Appendix: The Works of Chimamanda Ngozi Adichie -- Index

Nigerian author Chimamanda Ngozi Adichie (b. 1977) is undoubtedly one of the most widely acclaimed African writers of the twenty-first century. Best known for her insightful fiction, viral TED talks, and essays on feminism, she is also an outspoken intellectual. As she puts it in an interview with Lia Grainger, in her characteristically straightforward style: “I have things to say and I’ll say them.” Conversations with Chimamanda Ngozi Adichie is the first collection of interviews with the writer. Covering fifteen years of conversations, the interviews start with the publication of Adichie’s first novel, Purple Hibiscus (2003), and end in late 2018, by which time Adichie had become one of the most prominent figures on the international literary scene. As both scholars and passionate readers of the author’s work are bound to find out, the opinions shared by Adichie in interviews over the years coalesce into a fascinating portrait that presents both abiding features and gradual transformations. Reflecting the political and emotional scope of Adichie’s work, the conversations contained in this volume cover a wide range of topics, including colonialism, race, immigration, and feminism. Collectively, these interviews testify both to the author’s ardent wish to strive for a more just and equal world, and to her deep interest in exploring our common humanity. As Adichie says in her 2009 interview with Joshua Jelly-Schapiro: “When people call me a novelist, I say, well, yes. I really think of myself as a storyteller.” This book invites Chimamanda Ngozi Adichie to tell her own literary story.

The papers in this volume define the departure from the margin to the centre, assess emerging literatures and shifting language concerns, dismantle the hegemony of colonial English, propose alternatives to the ‘imperialism’ that underlies globalisation, and question hegemonic assumptions in language and literature.

This study proposes that – rather than trying to discern the normative value of Afropolitanism as an identificatory concept, politics, ethics or aesthetics – Afropolitanism may be best approached as a distinct historical and cultural moment, that is, a certain historical constellation that allows us to glimpse the shifting and multiple silhouettes which Africa, as signifier, as real and imagined locus, embodies in the globalized, yet predominantly Western, cultural landscape of the 21st century. As such, Making Black History looks at contemporary fictions of the African or Black Diaspora that have been written and received in the moment of Afropolitanism. Discursively, this moment is very much part of a diasporic conversation that takes place in the US and is thus informed by various negotiations of blackness, race, class, and cultural identity. Yet rather than interpreting Afropolitan literatures (merely) as a rejection of racial solidarity, as some commentators have, they should be read as ambivalent responses to post-racial discourses dominating the first decade of the 21st century, particularly in the US, which oscillate between moments of intense hope and acute disappointment. Please read our interview with Dominique Haensell here: https://blog.degruyter.com/de-gruyters-10th-open-access-book-anniversary-dominique-haensell-and-her-winning-title-making-black-history/

Featuring contributions from some of the most accomplished scholars on the topic, Holding the World Together explores the rich and varied ways in which women have wielded power across the African continent, from the precolonial period to the present. Suitable for classroom use, this comprehensive volume considers such topics as the representation of African women, their role in national liberation movements, their experiences of religious fundamentalism (both Christian and Muslim), their incorporation into the world economy, changing family and marriage systems, impacts of the world economy on their lives and livelihoods, and the unique challenges they face in the areas of health and disease. Contributors: Nwando Achebe, Ousseina Alidou, Signe Arnfred, Andrea L. Arrington-Sirois, Henryatta Ballah, Teresa Barnes, Josephine Beoku-Betts, Emily Burril, Abena P. A. Busia, Gracia Clark, Alicia Decker, Karen Flint, December Green, Cajetan Iheka, Rachel Jean-Baptiste, Elizabeth M. Perego, Claire Robertson, Kathleen Sheldon, Aili Mari Tripp, Cassandra Veney

This book makes a significant addition to the field of literary criticism on African Diaspora literatures. In one volume, it brings together the novels of eight transnational African Diaspora women writers, Yaa Gyasi, Chika Unigwe, Chimamanda Adichie, Imbole Mbue, NoViolet Bulawayo, Aminatta Forna, Taiye Selasi, and Leila Aboulela, and positions them as chroniclers of African immigrant experiences. The book inspires critical readings of these writers’ works by revealing emerging trends in women’s literature as they are being determined and redefined by immigration. As transnational subjects, the writers engage various meanings of mobility and exhibit innovative aesthetic styles; they create awareness on gender identities and transformations, constructions of home and belonging, as well as the politics of citizenship in the hostland. The book also highlights the importance of reverse migrations and performance returns to the homeland as an expression of human desire for home and belonging, and taken as a whole, it enhances our understanding of how migration and transnational existence are (re)shaping immigrant subjects. This book will be of interest to scholars, students, and researchers of African Diaspora literatures and gender studies, who will find this book beneficial for investigating critical trends, approaches to transnational literature, and for comprehending the diasporic burdens that transnational immigrants bear.

In the field of Translation Studies no book-length work in English has yet been dedicated to the translation and circulation of migration literature. The authors of this volume seek to contribute to filling this gap through a detailed study of texts belonging to a variety of literary genres and engaging with the phenomenon of migration in different parts of the world. Not only will the challenges met by translators be discussed, but the different ways in which the translated texts travel from one cultural sphere to another will also be explored. The focus lies on the themes “migration and politics”, “migration and society”, as well as “the experience of migration in words, music and images”.

This book prepares students and teachers for the requirements of the 2015 AQA A Level English Language and Literature specification. Structured and written to develop the skills on which students will be assessed in the exams and coursework, students of all abilities, through the source texts, book features and approach, will be able to make clear progress. The book offers students the opportunity to build on skills acquired at GCSE, extending them into their A Level course, ensuring that they are fully prepared for the assessment requirements of the qualifications and that students become successful, independent all-round learners. Building on years of development work on earlier editions, this brand new book includes the latest thinking and research, thus maintaining relevance and instilling confidence. Whether students are taking AS or A Level AQA English Language and Literature, this resource offers guidance and activities to help all students achieve their potential.

This volume focuses on the black family in the United States and the social forces and issues that affect it, including education, healthcare, racism, poverty, and politics. It examines the effects of these social forces on individuals as well as families. Contributions are varied. "A Biscuit for a Letter" examines education in the antebellum South. "Black Intellectuals on Trial" and "Africans' Perspectives on Race in the US" both analyse the role of race and racism in America. "Feminization of Poverty and the Black Family" illustrates the double burden of race and gender borne by black women. "It's Gotta Be Some Drama!" analyses the televised depiction of black colleges and universities. "African-centred Research Frameworks" studies the importance of cultural awareness in academia. "Work to Be Done" recounts the activism of black women in the Democratic Party. This volume offers an interdisciplinary approach to study of the black family in the United States, taking into account the forces of the larger society that influence it. The Black Family and Society is the most recent volume in Transaction's Africana Studies series.

Translocality in Contemporary City Novels responds to the fact that twenty-first-century Anglophone novels are increasingly characterised by translocality—the layering and blending of two or more distant settings. Considering translocal and transcultural writing as a global phenomenon, this book draws on multidisciplinary research, from globalisation theory to the study of narratives to urban studies, to explore a corpus of thirty-two novels—by authors such as Chimamanda Ngozi Adichie, Dionne Brand, Kiran Desai, and Xiaolu Guo—set in a total of ninety-seven cities. Lena Mattheis examines six of the most common strategies used in contemporary urban fiction to make translocal experiences of the world narratable and turn them into relatable stories: simultaneity, palimpsests, mapping, scaling, non-places, and haunting. Combining and developing further theories, approaches, and techniques from a variety of research fields—including narratology, human geography, transculturality, diaspora spaces, and postcolonial perspectives—Mattheis develops a set of cross-disciplinary techniques in literary urban studies.

This book explores the works of women writers and filmmakers across the African and African Diaspora world, reflecting on how the transnational sphere can serve to highlight voices that were at the margins of gender and race hierarchies. The book demonstrates how in discourse and theory Africana women are the centers of their own knowledge production and agency, as the artists and their characters point the way forward. Their multi-perspectivism leads to avenues of selective mutuality and influence to generate transformative creative work, scholarship, and practices. Writers included are Sylvia Wynter, Edwidge Danticat, Amanda Smith, Werewere Liking, Chimamanda Ngozi Adiche, Sefi Atta, NoViolet Bulawayo, Nnedi Okorafor, Mariama Bâ, Ama Ata Aidoo, Igiaba Scego, Léonara Miano, Gisèle Hountondji, Monique Ilboudo, and Maryse Condé, as well as filmmaker Kemi Adetiba. Over the course of the book, the contributors critically explore and update the canon on women in the African and African Diaspora literary sphere, highlighting their contributions to theoretical debates and providing substantive nuance to diasporic subjectivity. This book will be of interest to scholars of African and Africana Studies, comparative literature, and women and gender studies.

This book offers insight into the ways students enrolled in European classrooms in higher education come to understand American experience through its literary fiction, which for decades has been a key component of English department offerings and American Studies curricula across the continent and in Great Britain and Ireland. The essays provide an understanding of how post-World War II American writers, some already elevated to ‘canonical status’ and some not, are represented in European university classrooms and why they have been chosen for inclusion in coursework. The book will be of interest to scholars and teachers of American literature and American studies, and to students in American literature and American studies courses.

Drawing on a wealth of research, personal stories, and clinical insights, this book offers a nuanced and compassionate look at the profound impact of trauma on identity. It invites readers to explore the complex ways in which trauma can influence our beliefs, behaviors, relationships, and sense of purpose, as well as the challenges and opportunities that arise when we seek to reclaim our sense of self after trauma. From the lasting impact of childhood abuse to the challenges of navigating cultural and societal expectations, the book offers a deep and insightful exploration of the many ways in which trauma can shape identity. It also offers practical tools and strategies for those who are grappling with the aftermath of trauma, and for those who support them. Ultimately, this book is a powerful exploration of the ways in which trauma can shape our identities and our lives. It is a testament to the resilience of the human spirit and a call to action for greater understanding and empathy.

This book examines fictional works by women authors who have left their homes in West Africa and now live as members of the diaspora. In recent years a compelling array of critically acclaimed fiction by women in the West African diaspora has shifted the direction of the African novel away from post-colonial themes of nationhood, decolonization and cultural authenticity, and towards explorations of the fluid and shifting constructions of identity in transnational spaces. Drawing on works by Chimamanda Ngozi Adichie, Buchi Emecheta, Ama Ata Aidoo, Sefi Atta, Chika Unigwe and Taiye Selasie, this book interrogates the ways in which African diaspora women’s fiction portrays the realities of otherness, hybridity and marginalized existence of female subjects beyond Africa’s borders. Overall, the book demonstrates that life in the diaspora is an uncharted journey of expanded opportunities along with paradoxical realities of otherness. Providing a vivid and composite portrait of African women’s experiences in the diasporic landscape, this book will be of interest to researchers of migration and diaspora topics, and African, women’s and world literature.

The Trump neo-liberal and global warming era has intensified migration, highlighting the diasporic space and global structures as the context of theological inquiry. It is signified by the rise of overt sexism, racism, classism, anthropocentricism, Islamophobia and intensified conservatism that determine who crosses the boundaries, the terms of their crossing and the hospitality they receive. President Trump's shocking statement that characterized some Two-Thirds World countries as S.H.I.T. Holes as well as his travel ban policies that targeted countries of particular religious faith, attest to overt racism. In this volume, African theological scholars challenge euro-centric racist-global immigration policies and propose the paradigm of breaking the master's S.H.I.T. Holes. [Die Kloschüsseln der Herrschenden zerbrechen. Theologie treiben im Kontext globaler Migration] Die Trump-Ära hat im Zeichen von Neo-Liberalismus und Klimawandel eine Migrationswelle ausgelöst und die globalen Machtstrukturen sowie die Diaspora zum Kontext theologischer Forschung werden lassen. Sie ist gekennzeichnet durch offenen Sexismus, Rassismus, Klassismus, Anthropozentrismus, Islamophobia und intensiviertem Konservatismus, der bestimmt, wer die Grenzen überschreiten darf, die Bedingungen ihrer Überschreitung und die Gastfreundschaft die sie erfahren. Präsident Trumps schockierende Charakterisierung einiger Zwei-Drittel-Welt Länder als "Kloschüsseln" wie auch sein Einreiseverbot, das auf Länder mit einer bestimmten religiösen Orientierung zielt, zeugen von unverhohlenem Rassismus. In diesem Band stellen afrikanische Theologen und Theologinnen eine euro-zentrische, global-rassistische Immigrationspolitik im Rahmen ihres neuen Paradigmas "Zerbrechen der Kloschüsseln der Herrschenden" in Frage.

For better or worse, America lives in the age of "worlded†? literature. Not the world literature of nations and nationalities considered from most powerful and wealthy to the least. And not the world literature found with a map. Rather, the worlded literature of individuals crossing borders, mixing stories, and speaking in dialect. Where translation struggles to be effective and background is itself another story. The "worlded†? literature of the multinational corporate publishing industry where the global market is all. The essays in this collection, from some of the most distinguished figures in American studies and literature, explore what it means to consider American literature as world literature.