Elizabeth

As a girl of eleven, Elizabeth I translated into English a poem by Marguerite of Navarre on incest, spiritual and physical. Four years later her translation, tided "The Glass of the Sinful Soul," was published by the Protestant reformer John Bale. However ingenuous Elizabeth may have been at eleven, she surely realized the implications of the tract when she permitted new editions in 1568, 1582, and 1590. Its bearing on her own family and her precarious hold on the throne was all too obvious when dissenters accused both her father, Henry VIII, and her mother, Ann Boleyn, of adultery; when her father had sought to annul his first marriage on grounds of incest, when her mother was accused by Henry of incest, and when Elizabeth herself was deemed a bastard. Making Elizabeth's little-known work readily available to today's scholars, Elizabeth's Glass includes a photographic reproduction of Elizabeth's manuscript and a modern transcription, as well as John Bale's additions to his 1548 edition. In an erudite and penetrating introduction, Marc Shell investigates the complex political, familial, theological, and ecclesiastical forces that made Elizabeth acutely conscious of incest and made her translation an emblem of a controversy that stormed throughout Reformation Europe.

French ambassadorial reports from England from 1560-2, providing a fresh perspective on the court and international politics under Elizabeth I.

In Dear Elizabeth, three letters and five poems from Swenson to Bishop, including an unfinished draft never published before, are gathered into one small volume with an insightful essay by scholar and poet Kirstin Hotelling Zona. This brief but intense collection offers a surprising and revealing glimpse of a complicated relationship between two very different women and very different poets, both of whom made unquestionably major contributions to American poetry of the twentieth century."--BOOK JACKET.

Elizabeth wants to enter a local talent competition. Can she handle the possibility of not winning? And if she does win, should she keep the prize money or contribute it to charity?.

WINNER of the British Academy's Rose Mary Crawshay Literary PrizeThis study reveales both the pleasures offered by Elizabeth Bowen's works to the general reader and the literary critic, theorist and historian.Elizabeth Bowen was one of the finest writers of fiction in English in the twentieth century and one of the strangest. Born in 1899, her historical vision extends from the Irish Troubles of the 1920s to the London Blitz and the technological revolution of the post-war years. Her fiction is always entertaining - funny, moving and full of suspense - but it is also profoundly disconcerting.Maud Ellmann teases out Bowen's strangeness through close readings informed by historical, psychoanalytic and deconstructive methods of interpretation. She contextualises Bowen's work in the Irish and modernist traditions to investigate connections between her life and writing. She thoroughly expores Bowen's conflicting and complicit relations with other Irish, British, and European writers, her negotiations bet

Elizabeth Tyrwhit's 1574 Morning and Euening Praiers is a collection of private prayers, a class of book that grew in both popularity and volume with the establishment of Protestantism in England from the mid-century on. These prayers first appeared in a tiny gilt girdle-book alongside the Litany, an incomplete copy of The Queen's Prayers by Katherine Parr and an incomplete copy of The Kalendar which are also reproduced in this facsimile edition.

DISSING ELIZABETH is a collection of essays focusing on criticism of Elizabeth I by her contemporaries, and considering the wide range of forms the dissenters used for their critique.