Heroes Of The Frontier

“A picaresque adventure and spiritual coming-of-age tale — On the Road crossed with Henderson the Rain King… Deeply affecting.” —Michiko Kakutani, The New York Times Longlisted for an Andrew Carnegie Medal for Excellence in Fiction A captivating, often hilarious novel of family and wilderness from the bestselling author of The Circle, this is a powerful examination of our contemporary life and a rousing story of adventure. Josie and her children’s father have split up, she’s been sued by a former patient and lost her dental practice, and she’s grieving the death of a young man senselessly killed. When her ex asks to take the children to meet his new fiancée’s family, Josie makes a run for it, figuring Alaska is about as far as she can get without a passport. Josie and her kids, Paul and Ana, rent a rattling old RV named the Chateau, and at first their trip feels like a vacation: They see bears and bison, they eat hot dogs cooked on a bonfire, and they spend nights parked along icy cold rivers in dark forests. But as they drive, pushed north by the ubiquitous wildfires, Josie is chased by enemies both real and imagined, past mistakes pursuing her tiny family, even to the very edge of civilization. A tremendous new novel from the best-selling author of The Circle, Heroes of the Frontier is the darkly comic story of a mother and her two young children on a journey through an Alaskan wilderness plagued by wildfires and a uniquely American madness.

DigiCat Publishing presents to you this special edition of "The Red-Blooded Heroes of the Frontier" by Edgar Beecher Bronson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This comprehensive collection of folk hero tales builds on the success of the first edition by providing readers with expanded contextual information on story characters from the Americas to Zanzibar. Despite the tremendous differences between cultures and ethnicities across the world, all of them have folk heroes and heroines—real and imagined—that have been represented in tales, legends, songs, and verse. These stories persist through time and space, over generations, even through migrations to new countries and languages. This encyclopedia is a one-stop source for broad coverage of the world's folk hero tales. Geared toward high school and early college readers, the book opens with an overview of folk heroes and heroines that provides invaluable context and then presents a chronology. The book is divided into two main sections: the first provides entries on the major types and themes; the second addresses specific folk tale characters organized by continent with folk hero entries organized alphabetically. Each entry provides cross references as well as a list of further readings. Continent sections include a bibliography for additional research. The book concludes with an alphabetical list of heroes and an index of hero types.

The 2d vol. of the author's 4 vol. work: The frontier people of America; the other volumes are Forth to the wilderness, Ark of empire, and The final challenge. Reprint of the ed. published by Morrow, New York. Includes index. Bibliography: p. 313-317.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Fess Parker was an American film and television actor, who also was known as the owner of the Fess Parker Winery along the famous Foxen Canyon Wine Trail, and he was also a resort owner-operator.Fess grew up in Texas. After serving in World War II, he began his show-business career in the summer of 1951 as an extra in the play Mister Roberts. His work in films began as the voice of Leslie, the chauffeur, in the 1950 film Harvey. Within months, he was on location with a minor part in Untamed Frontier with Joseph Cotton and Shelley Winters. Fess became a contract player with Warner Bros., appearing in small roles in several films, such as Springfield Rifle (1952), Island in the Sky, The Bounty Hunter, and Battle Cry. In 1954, he appeared as Great Dalton in the Jim Davis syndicated Western anthology series, Stories of the Century in the episode “The Dalton Brothers.” Walt Disney picked him over James Arness and other actors to star as Davy Crockett in a three-part mini series entitled Davy Crockett (1954–55), a tremendous hit that led to a merchandising frenzy for coonskin caps and all things Crockett. Fess became a contract star for Disney and appeared in The Great Locomotive Chase, Westward Ho, the Wagons!, Old Yeller, and The Light in the Forest. He also appeared on many television programs, and he composed and sang. He performed the occasional role of Tom Conrad, editor of the Diablo Courier in the syndicated Western series, Annie Oakley (1954–1957), starring Gail Davis, Brad Johnson, and Jimmy Hawkins. Fess appeared in a small assortment of movies, including supporting roles in The Jayhawkers! (1959) with Jeff Chandler and Hell Is for Heroes (1962) with Steve McQueen. In 1962, he starred in the title role of the TV series Mr Smith Goes to Washington, portraying the same idealistic character that James Stewart had played in the 1939 film. Fess took to the stage in 1963, in a traveling production of Oklahoma! In 1964, Fess appeared in Daniel Boone, another television series, portraying another historic figure of America's frontier days. The action-adventure television series aired from September 24, 1964 to September 10, 1970 on NBC for 165 episodes and was one of the highest rated shows of its time. Fess was not only the star of the series but also the co-producer and director of five of its most popular episodes. William R. Chemerka has written an authorized biography, a respectful tribute to an amazing man, and the book also features thoughtful recollections from Fess’ family, friends, co-stars, and fans, and includes a number of never-before-published photographs. 416 pages. Illustrated. First Edition. "Put on your coonskin cap and enjoy William Chemerka’s respectful tribute to an amazing man who believed in and lived the American Dream." - Western Clippings

The study follows the early evolution of the American frontier hero, from its roots in Mary Rowlandson's narration of her experiences as a prisoner during King Phillip's war through works by Unca Eliza Winkfield, Charles Brockden Brown, James Fenimore Cooper, the film-maker John Ford, and actor John Wayne.

This edited volume represents the best of the scholarship presented at the 18th National Communication Association/American Forensic Association Conference on Argumentation. This biennial conference brings together a lively group of argumentation scholars from a range of disciplinary approaches and a variety of countries. Disturbing Argument contains selected works that speak both to the disturbing prevalence of violence in the contemporary world and to the potential of argument itself, to disturb the very relations of power that enable that violence. Scholars’ essays analyze a range of argument forms, including body and visual argument, interpersonal and group argument, argument in electoral politics, public argument, argument in social protest, scientific and technical argument, and argument and debate pedagogy. Contributors study argument using a range of methodological approaches, from social scientifically informed studies of interpersonal, group, and political argument to humanistic examinations of argument theory, political discourse, and social protest, to creatively informed considerations of argument practices that truly disturb the boundaries of what we consider argument.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Tracing the rise of the California teen as a national icon in the 1950s and 60s, Kirse May shows how idealised images of a suburban youth culture soothed America's post-war nerves while denying racial and urban realities.

Christopher Conway's lavishly illustrated Heroes of the Borderlands tells the surprising story of the Mexican Western for the first time, exploring how Mexican authors and artists reimagined US film and comic book Westerns to address Mexican politics and culture.

This volume explores the relationship of hero to celebrity and the changing role of the hero in American culture. It establishes that the nature of hero and its function in society is a communication phenomenon, which has been and is being altered by the rapid advance of electronic media.

Comic Books and American Cultural History is an anthology that examines the ways in which comic books can be used to understand the history of the United States. Over the last twenty years, there has been a proliferation of book-length works focusing on the history of comic books, but few have investigated how comics can be used as sources for doing American cultural history. These original essays illustrate ways in which comic books can be used as resources for scholars and teachers. Part 1 of the book examines comics and graphic novels that demonstrate the techniques of cultural history; the essays in Part 2 use comics and graphic novels as cultural artifacts; the third part of the book studies the concept of historical identity through the 20th century; and the final section focuses on different treatments of contemporary American history. Discussing topics that range from romance comics and Superman to American Flagg! and Ex Machina, this is a vivid collection that will be useful to anyone studying comic books or teaching American history.

The great American Westerns can be profoundly meaningful when read metaphorically. More than mere shoot 'em up entertainment, they are an essential part of a vibrant, evolving national mythology. Like other versions of the archetypal Hero's Journey, these films are filled with insights about life, love, nature, society, ethics, beauty and what it means to be human, and are key to understanding American culture. Part film guide, part historical survey, this book explores the mythic and artistic elements in 52 great Westerns--some orthodox, some subversive--from the genre's first half-century. Each film is given detailed critical analysis, from the earliest silent movies to Golden Age classics like Red River (1948), High Noon (1952) and Shane (1953).

This introductory guide to the canon of Victorian literature covers 61 novels by authors from Jane Austen to Emile Zola. Brief critical essays describe what each book is about and argue for its cultural, historical and literary importance. Literary canons remain a subject of debate but critics, readers and students continue to find them useful as overviews--and examinations--of the great works within a given period or culture. The Victorian canon is particularly rich with splendid novels that educate, enlighten and entertain. Instructors considering this book for use in a course may request an examination copy here.

With reference to eight classic American movies, this text explores the political ideologies thrumming through the American psyche during the Cold War period.

In this wide-ranging series of essays, an award-winning science fiction critic explores how the related genres of science fiction, fantasy, and horror evolve, merge, and finally “evaporate” into new and more dynamic forms. Beginning with a discussion of how literary readers “unlearned” how to read the fantastic during the heyday of realistic fiction, Gary K. Wolfe goes on to show how the fantastic reasserted itself in popular genre literature, and how these genres themselves grew increasingly unstable in terms of both narrative form and the worlds they portray. More detailed discussions of how specific contemporary writers have promoted this evolution are followed by a final essay examining how the competing discourses have led toward an emerging synthesis of critical approaches and vocabularies. The essays cover a vast range of authors and texts, and include substantial discussions of very current fiction published within the last few years.

Swashbuckling tales of valiant gauchos roaming Argentina and Uruguay were nineteenth-century Latin American bestsellers. But when the stories jumped from the page to the circus stage and beyond, their cultural, economic, and political influence revolutionized popular culture and daily life. In this expansive and engaging narrative William Acree guides readers through the deep history of popular entertainment before turning to circus culture and rural dramas that celebrated the countryside on stage. More than just riveting social experiences, these dramas were among the region’s most dominant attractions on the eve of the twentieth century. Staging Frontiers further explores the profound impacts this phenomenon had on the ways people interacted and on the broader culture that influenced the region. This new, modern popular culture revolved around entertainment and related products, yet it was also central to making sense of social class, ethnic identity, and race as demographic and economic transformations were reshaping everyday experiences in this rapidly urbanizing region.