Hillbilly Eleg

Summary of Hillbilly Elegy by J.D. Vance | Includes Analysis Preview: Hillbilly Elegy: A Memoir of a Family and Culture in Crisis by JD Vance is an account of the struggles of white working-class Americans in the post-industrial United States. The author offers a message of hope by telling the story of how he went from growing up poor in Ohio’s Rust Belt to graduating from Yale Law School. James David (JD) Vance’s family is of Scots-Irish descent. His people have a long history of enduring poverty and hardship. Since the eighteenth century in the United States, the Scots-Irish have been plantation workers, sharecroppers, miners, and factory and millworkers. Many settled or have roots in Appalachia. Other Americans sometimes consider JD’s people “hillbillies, rednecks, or white trash.” [1] As industrial manufacturing has declined in recent decades, hillbillies have been hit especially hard. JD was born in Middletown, Ohio, but his first real home was with his grandparents in Jackson, Kentucky… PLEASE NOTE: This is summary and analysis of the book and NOT the original book. Inside this Instaread Summary of Hillbilly Elegy by J.D. Vance | Includes Analysis · Summary of the Book · Important People · Character Analysis · Analysis of the Themes and Author’s Style About the Author With Instaread, you can get the key takeaways, summary and analysis of a book in 15 minutes. We read every chapter, identify the key takeaways and analyze them for your convenience. Visit our website at instaread.co.

So much to read, so little time? This brief overview of Hillbilly Elegy tells you what you need to know—before or after you read J.D. Vance’s book. Crafted and edited with care, Worth Books set the standard for quality and give you the tools you need to be a well-informed reader. This short summary and analysis of Hillbilly Elegy includes: Historical context Chapter-by-chapter overviews Character profiles Important quotes Fascinating trivia Glossary of terms Supporting material to enhance your understanding of the original work About Hillbilly Elegy: A Memoir of a Family and Culture in Crisis by J.D. Vance: Hillbilly Elegy is both an honest, heartbreaking memoir about what it’s really like to grow up in poverty and strife and a searing, thought-provoking take on the growing class divide in America. Hillbilly Elegy touches on how, as a country, we got here—and what, must be done to reverse the damage. As Ivy League–educated lawyer and Sillicon Valley principal J.D. Vance looks back on his childhood in Jackson, Kentucky, and Ohio, he recalls a youth marred by violence, poverty, and substance abuse, but also one of deep love and family loyalty. He tackles difficult questions about social class, upward mobility, and what it means to feel disenfranchised in your own country. His highly personal account guides readers to an understanding of rural conservatives, and how an entire segment of people transformed from New Deal democrats to right-wing Republicans. The summary and analysis in this ebook are intended to complement your reading experience and bring you closer to a great work of nonfiction.

Want more free books like this? Download our app for free at https://www.QuickRead.com/App and get access to hundreds of free book and audiobook summaries. The shocking story of a man who grew up in working-class America surrounded by poverty, violence, and addiction but managed to follow his dreams and climb the ladder to success. It's a story that we have heard time and time again, a story of a person beating the odds and achieving the American Dream. J.D. Vance’s story is no different. He tells the tale of how growing up in working-class white America offered him few opportunities and resulted in traumatic childhood experiences. His stories reflect how hillbillies, rednecks, or white trash Americans are responsible for their own actions, and Vance works to uncover the underlying causes of generational poverty experienced in the South, Appalachia, and the Rust Belt. Throughout Hillbilly Elegy, you will learn how one man was able to escape a life destined to be mediocre, violent, and most likely filled with drugs and alcohol. His story shows how anything is possible if you put your mind to it and follow your dreams.

Debunks the pervasive and self-congratulatory myth that our country is proudly founded by and for immigrants, and urges readers to embrace a more complex and honest history of the United States Whether in political debates or discussions about immigration around the kitchen table, many Americans, regardless of party affiliation, will say proudly that we are a nation of immigrants. In this bold new book, historian Roxanne Dunbar-Ortiz asserts this ideology is harmful and dishonest because it serves to mask and diminish the US’s history of settler colonialism, genocide, white supremacy, slavery, and structural inequality, all of which we still grapple with today. She explains that the idea that we are living in a land of opportunity—founded and built by immigrants—was a convenient response by the ruling class and its brain trust to the 1960s demands for decolonialization, justice, reparations, and social equality. Moreover, Dunbar-Ortiz charges that this feel good—but inaccurate—story promotes a benign narrative of progress, obscuring that the country was founded in violence as a settler state, and imperialist since its inception. While some of us are immigrants or descendants of immigrants, others are descendants of white settlers who arrived as colonizers to displace those who were here since time immemorial, and still others are descendants of those who were kidnapped and forced here against their will. This paradigm shifting new book from the highly acclaimed author of An Indigenous Peoples’ History of the United States charges that we need to stop believing and perpetuating this simplistic and a historical idea and embrace the real (and often horrific) history of the United States.

This book examines what literature and film reveal about the urban USA. Subjects include culture, class, race, crime, and disaster.

THE #1 NEW YORK TIMES BESTSELLER IS NOW A MAJOR-MOTION PICTURE DIRECTED BY RON HOWARD AND STARRING AMY ADAMS, GLENN CLOSE, AND GABRIEL BASSO "You will not read a more important book about America this year."—The Economist "A riveting book."—The Wall Street Journal "Essential reading."—David Brooks, New York Times Hillbilly Elegy is a passionate and personal analysis of a culture in crisis—that of white working-class Americans. The disintegration of this group, a process that has been slowly occurring now for more than forty years, has been reported with growing frequency and alarm, but has never before been written about as searingly from the inside. J. D. Vance tells the true story of what a social, regional, and class decline feels like when you were born with it hung around your neck. The Vance family story begins hopefully in postwar America. J. D.’s grandparents were “dirt poor and in love,” and moved north from Kentucky’s Appalachia region to Ohio in the hopes of escaping the dreadful poverty around them. They raised a middle-class family, and eventually one of their grandchildren would graduate from Yale Law School, a conventional marker of success in achieving generational upward mobility. But as the family saga of Hillbilly Elegy plays out, we learn that J.D.'s grandparents, aunt, uncle, sister, and, most of all, his mother struggled profoundly with the demands of their new middle-class life, never fully escaping the legacy of abuse, alcoholism, poverty, and trauma so characteristic of their part of America. With piercing honesty, Vance shows how he himself still carries around the demons of his chaotic family history. A deeply moving memoir, with its share of humor and vividly colorful figures, Hillbilly Elegy is the story of how upward mobility really feels. And it is an urgent and troubling meditation on the loss of the American dream for a large segment of this country.

Class, Whiteness, and Southern Literature explores the role that representations of poor white people play in shaping both middle-class American identity and major American literary movements and genres across the long twentieth century. Jolene Hubbs reveals that, more often than not, poor white characters imagined by middle-class writers embody what better-off people are anxious to distance themselves from in a given moment. Poor white southerners are cast as social climbers during the status-conscious Gilded Age, country rubes in the modern era, racist obstacles to progress during the civil rights struggle, and junk food devotees in the health-conscious 1990s. Hubbs illuminates how Charles Chesnutt, William Faulkner, Flannery O'Connor, Dorothy Allison, and Barbara Robinette Moss swam against these tides, pioneering formal innovations with an eye to representing poor white characters in new ways.

The book shows how American racial history and culture have shaped, and been shaped in turn by, American literature.

Comprehensive and interdisciplinary, this collection explores the complex, and often problematic, ways in which the news media shapes perceptions of poverty. Editor Sandra L. Borden and a diverse collection of scholars and journalists question exactly how the news media can reinforce (or undermine) poverty and privilege. This book is divided into five parts that examine philosophical principles for reporting on poverty, the history and nature of poverty coverage, problematic representations of people experiencing poverty, poverty coverage as part of reporting on public policy and positive possibilities for poverty coverage. Each section provides an introduction to the topic, as well as a broad selection of essays illuminating key issues and a Q&A with a relevant journalist. Topics covered include news coverage of corporate philanthropy, structural bias in reporting, representations of the working poor, the moral demands of vulnerability and agency, community empowerment and citizen media. The book’s broad focus considers media and poverty at both the local and global levels with contributors from 16 countries. This is an ideal reference for students and scholars of media, communication and journalism who are studying topics involving the media and social justice, as well as journalists, activists and policy makers working in these areas.

Explores the cultural and political significance of the election of President TrumpDonald J. Trump's presidency has delivered a seismic shock to the American political system, its public sphere, and to our political culture worldwide. Written by leading scholars across a range of disciplines, as well as professionals in the field of political journalism, this collection of essays offers a deeper understanding of Trump and the impact that his rise to power has had both domestically and worldwide.The first section provides varied perspectives on the realignments of political culture in the United States that signify a paradigm shift, a radical disruption of fundamental beliefs and values about the political process and national identity. The second section of the book focuses on US foreign policy and diplomacy, taking stock of how the Trump presidency has disturbed the international system and US primacy within it. The third section of the book addresses the dynamics and consequences of what has come to be called "e;post-truth"e; politics, where conviction surpasses facts and the norms of political communication have been profoundly disrupted. Liam Kennedy is Professor of American Studies and Director of the Clinton Institute for American Studies at University College Dublin.

This book examines the highly ambivalent implications and effects of anti-elitism. It draws on this theme as a cross-cutting entry point to provide transdisciplinary analysis of current conjunctures and their contradictions, drawing on examples from popular culture and media, politics, fashion, labour and spatial arrangements. Using the toolboxes of media and discourse analysis, hegemony theory, ethnography, critical social psychology and cultural studies more broadly, the book surveys and theorizes the forms, the implications and the ambiguities and limits of anti-elitist formations in different parts of the world. Anti-elitist sentiments colour the contemporary political conjuncture as much as they shape pop cultural and media trends. Populists, right-wing authoritarian ones and others, direct their anger at cultural, political and, sometimes, economic elites while supporting other elites and creating new ones. At the same time, "elitist" knowledge and expertise, decision-making power and taste regimes are being questioned in societal transformations that are discussed much more positively under headlines such as participation or democratization. The book brings together a group of international, interdisciplinary case studies in order to better understand the ways in which the battle cry "against the elites" shapes current conjunctures and possible future politics, focusing on themes such as nationalist political discourse in India, Austria, the UK and Hungary, labour struggles and anti-oligarchy rhetoric in Russia, tax-avoiding elites and fiscal imaginaries, working-class agency, Melania Trump as a celebrity narrative in Slovenia, aesthetic codes of the Alt-Right, football hooliganism in Germany, "hipster hate" in German political discourse or the politics of expertise and anti-elite iconography in high fashion internationally. The book is intended for undergraduates, postgraduates and postdoctoral researchers. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license

As rural communities continue to undergo massive economic and demographic shifts, rural churches are uniquely positioned to provide community leadership. This book is an energetic and encouraging call for how religious leaders can develop vital church communities in rural America.

The rapid global spread of populism has become an arresting and often disturbing phenomenon in the opening decades of the twenty-first century. This collection of essays explores the complex histories and diverse geographies of populist activity, examining its manifestations on both the political left and the right while tracing its dangerous association with nativism, racism and xenophobia. Established socio-political theories are questioned and challenged, giving way to fresh philosophical or cultural perspectives. At the heart of this collection lies a concern with the capacity of the humanities – and especially literary studies – to interpret, evaluate and intervene in this populist moment. Literary discussion ranges from Henry James and William Faulkner to Toni Morrison, David Foster Wallace, Ali Smith and Ta-Nehisi Coates. These essays demonstrate the pertinence and value of enquiries from multiple perspectives if we are to come to terms with the impact of populist rhetoric on meaning and truth, as proliferating misinformation unmoors conceptual and ethical coherence. The chapters in this book were originally published in Safundi: The Journal of South African and American Studies and English Studies in Africa.

"I recommend a book by Professor Williams, it is really worth a read, it's called White Working Class." -- Vice President Joe Biden on Pod Save America An Amazon Best Business and Leadership book of 2017 Around the world, populist movements are gaining traction among the white working class. Meanwhile, members of the professional elite—journalists, managers, and establishment politicians--are on the outside looking in, left to argue over the reasons. In White Working Class, Joan C. Williams, described as having "something approaching rock star status" by the New York Times, explains why so much of the elite's analysis of the white working class is misguided, rooted in class cluelessness. Williams explains that many people have conflated "working class" with "poor"--but the working class is, in fact, the elusive, purportedly disappearing middle class. They often resent the poor and the professionals alike. But they don't resent the truly rich, nor are they particularly bothered by income inequality. Their dream is not to join the upper middle class, with its different culture, but to stay true to their own values in their own communities--just with more money. While white working-class motivations are often dismissed as racist or xenophobic, Williams shows that they have their own class consciousness. White Working Class is a blunt, bracing narrative that sketches a nuanced portrait of millions of people who have proven to be a potent political force. For anyone stunned by the rise of populist, nationalist movements, wondering why so many would seemingly vote against their own economic interests, or simply feeling like a stranger in their own country, White Working Class will be a convincing primer on how to connect with a crucial set of workers--and voters.

Peculiar Whiteness: Racial Anxiety and Poor Whites in Southern Literature, 1900–1965 argues for deeper consideration of the complexities surrounding the disparate treatment of poor whites throughout southern literature and attests to how broad such experiences have been. While the history of prejudice against this group is not the same as the legacy of violence perpetrated against people of color in America, individuals regarded as “white trash” have suffered a dehumanizing process in the writings of various white authors. Poor white characters are frequently maligned as grotesque and anxiety inducing, especially when they are aligned in close proximity to blacks or to people with disabilities. Thus, as a symbol, much has been asked of poor whites, and various iterations of the label (e.g., “white trash,” tenant farmers, or even people with a little less money than average) have been subject to a broad spectrum of judgment, pity, compassion, fear, and anxiety. Peculiar Whiteness engages key issues in contemporary critical race studies, whiteness studies, and southern studies, both literary and historical. Through discussions of authors including Charles Chesnutt, Thomas Dixon, Sutton Griggs, Erskine Caldwell, Lillian Smith, William Faulkner, and Flannery O’Connor, we see how whites in a position of power work to maintain their status, often by finding ways to recategorize and marginalize people who might not otherwise have seemed to fall under the auspices or boundaries of “white trash.”

"It is really worth a read..." -- Former Vice President Joe Biden, interviewed on Pod Save America Now in paperback with a new Foreword by Mark Cuban and a new Preface by the author, White Working Class explains why so much of the elite's analysis of the white working class is misguided, rooted in class cluelessness. Joan C. Williams, described as having "something approaching rock star status" by the New York Times, explains that many people have conflated "working class" with "poor"--but the working class is, in fact, the elusive, purportedly disappearing middle class. They often resent the poor and the professionals alike. But they don't resent the truly rich, nor are they particularly bothered by income inequality. Their dream is not to join the upper middle class, with its different culture, but to stay true to their own values in their own communities--just with more money. While white working-class motivations are often dismissed as racist or xenophobic, Williams shows that they have their own class consciousness. White Working Class is a blunt, bracing narrative that sketches a nuanced portrait of millions of people who have proven to be a potent political force. For anyone stunned by the rise of populist, nationalist movements, wondering why so many would seemingly vote against their own economic interests, or simply feeling like a stranger in their own country, White Working Class will be a convincing primer on how to connect with a crucial set of workers--and voters.

2019 World Magazine Book of the Year Short List 2019 The Gospel Coalition Book Award 2019 Send Institute's Top Ten Church Planting Related Books of 2019 Kevin DeYoung's Top 10 Books of 2019 Jesus loves small, insignificant places. In recent years, Christian ministries have increasingly prioritized urban areas. Big cities and suburbs are considered more strategic, more influential, and more desirable places to live and work. After all, they're the centers for culture, arts, and education. More and more people are leaving small places and moving to big ones. As a ministry strategy, focusing on big places makes sense. But the gospel of Jesus is often unstrategic. In this book, pastor Stephen Witmer lays out an integrated theological vision for small-place ministry. Filled with helpful information about small places and with stories and practical advice from his own ministry, Witmer's book offers a compelling, comprehensive vision for small-place ministry today. Jesus loves small places, and when we care deeply about them and invest in them over time, our ministry becomes a unique picture of the gospel—one that the world badly needs to see.

What is an “American” identity? The tension between populism and pluralism, between homogeneity and heterogeneity, has marked the United States since its inception. In The Divided States, leading scholars and critics argue that the US is, and has always been, a site where multiple national identities intersect in productive and challenging ways. Scrutinizing conflicting nationalisms and national identities, the authors ask, Whose stories get told and whose do not? Who or what promotes the idea of a unified national identity in the United States? How is the notion of a unified national identity disrupted? What myths and stories bind the US together? How representative are these stories? What are the counternarratives? And, if the idea of national homogeneity is a fallacy, what does tie us together as a nation? Working across auto/biography studies, American studies, and human geography—all of which deal with the current interest in competing narratives, “alternative facts,” and accountability—the essays engage in and contribute to critical conversations in classrooms, scholarship, and the public sphere. The authors draw from a variety of fields, including anthropology; class analysis; critical race theory; diasporic, refugee, and immigration studies; disability studies; gender studies; graphic and comix studies; Indigenous studies; linguistics; literary studies; sociology; and visual culture. And the genres under scrutiny include diary, epistolary communication, digital narratives, graphic narratives, literary narratives, medical narratives, memoir, oral history, and testimony. This fresh and theoretically engaged volume will be relevant to anyone interested in the multiplicity of voices that make up the US national narrative.

During the Cold War, national discourse strove for unity through patriotism and political moderation to face a common enemy. Some authors and intellectuals supported that narrative by casting America’s complicated history with race and poverty as moral rather than merely political problems. Southern Literature, Cold War Culture, and the Making of Modern America examines southern literature and the culture within the United States from the period just before the Cold War through the civil rights movement to show how this literature won a significant place in Cold War culture and shaped the nation through the time of Hillbilly Elegy. Tackling cultural issues in the country through subtext and metaphor, the works of authors like William Faulkner, Lillian Smith, Robert Penn Warren, Eudora Welty, Ralph Ellison, Alice Walker, and Walker Percy redefined “South” as much more than a geographical identity within an empire. The “South” has become a racially coded sociopolitical and cultural identity associated with white populist conservatism that breaks geographical boundaries and, as it has in the past, continues to have a disproportionate influence on the nation’s future and values.

On March 14, 1912, Hillsville, Virginia, native Floyd Allen (1856–1913) was convicted of three criminal charges: assault, maiming, and the rescue of prisoners in custody. What had begun as a scuffle between Allen's nephews over a young woman ended with him being charged as the guilty party after he allegedly hit a deputy in the head with a pistol. When the jury returned with the verdict, Allen stood up and announced, "Gentleman, I ain't a-goin." A gunfight ensued in the crowded courtroom that killed five people and wounded seven others. The state of Virginia put Floyd and Claude Allen to death by electrocution the following spring. More than a century later, the event continues to impact the citizens and communities of the area as local newspapers recirculate the sordid story and give credence to annual public reenactments that continue to negatively impact the national perception of the region. In this first book-length scholarly review of the Hillsville shoot-out, author Travis A. Rountree examines various media written about and inspired by the event and explains how the incident reinforced the nation's conception of Appalachia through depictions of this sensational moment in history. In all, this book provides an extensive analysis of this historic conflict and reveals a new understanding of the shaping of memories and stories from the event.