Katherine

An annotated bibliography of the writings of fantasy writer Katherine Kurtz, with an interview of Kurtz by Robert Reginald and Jeffrey M. Elliot. Complete with index.

This biography of American dancer and choreographer Katherine Dunham draws upon a vast, never-utilized archival record to show how she was more than a dancer and anthropologist, but also an intellectual and activist.

Book Features: • 24 pages, 10 inches x 8 inches • Ages 6-9, Grades 1-3 leveled readers • Simple, easy-to-read pages with illustrations • Features vocabulary and comprehension and extension activities • Includes reading tips, a timeline, and a glossary The Magic Of Reading: Prepare to take off into a reading adventure that is out of this world with Women in Science and Technology: Katherine Johnson—a 24-page biography of the NASA mathematician who helped launch some of the first space flights. Hands-On Reading Adventure: The first launch into space was nothing short of extraordinary, and neither was NASA mathematician Katherine Johnson. Follow along on Katherine's journey, paving the way for the first flights and exploration into space. Features: More than just an exciting book about space exploration, this kids book also includes a vocabulary list, reading tips for interaction and engagement, and extension and comprehension activities. A glossary and timeline are also included. Leveled Books: Vibrant illustrations and leveled text work together to engage readers and promote reading comprehension skills. This leveled book engages 1st—3rd graders through new vocabulary and high-interest topics like space exploration. Why Rourke Educational Media: Since 1980, Rourke Publishing Company has specialized in publishing engaging and diverse non-fiction and fiction books for children in a wide range of subjects that support reading success on a level that has no limits.

Reconsiders of Arendt's philosophy of natality in terms of biopolitical theory and feminism to defend women's reproductive choices

Combines empirical data and original analysis in a uniquely detailed account of Christianity in North Africa and West Asia.

The volume traces the literary, cultural and biographical influence of both French arts and philosophy, and émigré life in France, on Mansfield’s evolution as a key modernist writer, setting her within the geographies and cultural dynamics of Anglo-French modernism.

Dancer, Choreographer

She believes that dancing involves the development of an entire person and that the rituals and traditions of dance are integral to the study of culture. Throughout her career she has been a living model of the socially responsible artist working to wet cultural appetites and combat social injustice. Building on Dunham's published memoirs. A Touch of Innocence and Island Possessed. Joyce Aschenbrenner's multifaceted portrait blends personal observations based on her own interactions with Dunham, archival documents, and interviews with Dunham's colleagues, students, and members of the Katherine Dunham Dance Company. Integrating these sources, Aschenbrenner characterizes the social, familial, and cultural environment of Dunham's upbringing and the intellectual and artistic community she embraced at the University of Chicago that laid the groundwork for her development as a dancer, anthropologist, and humanitarian.

An original new biography of Henry VIII's last wife, Katherine Parr, which shows the strength of the Queen's devotion to protestant beliefs over and beyond her political and personal fortunes.

Katherine Mansfield had a career-long engagement with the literary marketplace from the age of eighteen. This book examines how she developed as a writer within a range of book and periodical publishing contexts, reconsidering her writing's enactment of a commercially viable modern aesthetic in her experimentation with the short story form.

Explores the literary connection between Katherine Mansfield and Elizabeth von ArnimElizabeth von Arnim is best remembered as the author of Elizabeth and Her German Garden (1898) and The Enchanted April (1922), as well as being the elder cousin of Katherine Mansfield. Recently, new research into the complex relationship between these writers has extended our understanding of the familial, personal and literary connections between these unlikely friends. We know that they were an influential presence on one another and reviewed each other's work.By bringing the work of Mansfield and von Arnim together - including on matters of artistry, on mourning, on gardens, on female resistance - this book establishes shared preoccupations in ways that refine and extend our knowledge of writing in the period. It also deepens our understanding of the historical and literary contexts within which both of these extraordinary authors worked.

The fifth and final volume of the Collected Letters of Katherine Mansfield covers the almost thirteen months during which her attention at first was firmly set on a last chance medical cure, then finally on something very different - if death came to seem inevitable, how should one behave in the time that remained, so one could truly say one lived? Mansfield's biographers, like her friends, have wondered at the seemingly extraordinary decision to ditch conventional medicine, for the bizarre choice of Gurdjieff's Institute for the Harmonious Development of Man at Fontainebleau. These letters show the clarity of mind and will that led to that decision, the courage and distress in making it, and the gaiety even once it was made. She went against what her education, her husband, and most of her friends would regard as reasonable, as she opted to spend her last months with Russian émigrés and a strange assortment of Gurdjieff disciples (which she was not). But Fontainebleau give her the space and the incentive to shake free from the intellectualism that she thought the malaise of her time, as she worked at kitchen chores, took in the details of farm life, tried to learn Russian, and attempted to reach total honesty with herself. 'If I were allowed one simple cry to God,' she wrote in one of her last letters, that cry would be I want to be REAL.'

Katherine is a strange Bronx girl who “hears” the voices of the constellations. Abetted by a building super and a disgraced NASA administrator, she becomes a revered faith healer, only to be betrayed by her inner voice, when it tells her to have a child. Set in eras ranging from the sixties to the near future, Simon’s stories blend sexual tension, religious feeling, intellect and madness into a compelling brew. In a senior-living facility, a man plots murder with a woman he believes to be a famous author. A philosophy professor and her boyfriend contemplate suicide. Their every move followed by cameras, the contestants in a reality show need to complete a “main task,” but no one knows what it is. After years on the run from the F.B.I., a bank robber enters a monastery, while his lover/accomplice stews in boredom. In the words of one of Simon’s characters: “The sacred and the profane lie close together, separated by the thinnest membrane, almost nothing.” Breeching this boundary, The Ballad of St. Katherine presents a fascinating set of personalities, some slain by their obsessions, others able to come to terms with their lives, or their deaths.

Resituates Katherine Mansfield as an observant diarist, chronicler of her times and erudite reader of English and European literatures

Selected letters between Porter and fellow writers trace her development as a writer and reveal her outlook on life.

One of the earliest, and still one of the most perceptive analyses of Katherine Anne Porter, it gives careful interpretation of the style and intent of Porter’s work from 1935 through the publication and critical reception of Ship of Fools.