Marked In Flesh

In the fourth novel in Anne Bishop’s New York Times bestselling series, the Others will need to decide how much humanity they’re willing to tolerate—both within themselves and their community... Since the Others allied themselves with the cassandra sangue, the fragile yet powerful human blood prophets who were being exploited by their own kind, the dynamic between humans and Others has changed. Some, such as Simon Wolfgard, wolf shifter and leader of the Lakeside Courtyard, and blood prophet Meg Corbyn see the closer companionship as beneficial. But not everyone is convinced. A group of radical humans is seeking to usurp land through a series of violent attacks on the Others. What they don’t realize is that there are older and more dangerous forces than shifters and vampires protecting the land—and those forces are willing to do whatever is necessary to safeguard what is theirs...

This groundbreaking piece of work establishes a “position of embodiment” as an ethically salient epistemological and empirical strategy for understanding, representing, and experiencing gendered embodiment and marked flesh. Developing an embodied, feminist critique of the sociology of the body, the author integrates this position with some of the most recent developments in qualitative methodologies and creative research practices in order to engage with, and represent, women’s experiences of body-marking. As such, the specific body practices which are addressed, “body modification” and “self-injury,” are refigured in the context of a feminist, embodied position. This position of embodiment not only establishes a holistic, non-dualistic orientation from which to experience and explore gendered embodiment and body-marking practices, but in doing so, also highlights the limitations of normative dualistic, disembodied theories and methods which objectify and distance the very experiences they purport to explain. Overall, this exploration is a provoking, moving and often uncomfortable journey into the imperatives of gendered embodiment, abject corporeality, blood and pain, and the practices which mark the body and evoke and transform the gendered, embodied self. This is a courageous, beautifully written, evocative, and thought provoking book that takes the reader on an intimate journey into the misunderstood world of body marking practices. As part of the journey, Inckle provides a range of insights into the fluid, ambiguous, and complex forms of embodiment experienced by women over time. The reflexive stance she adopts throughout enables the reader to chart her emerging awareness of methodological dilemmas and the inherent tensions she experiences in trying to resolve them in relation to feminist ethical positions. As part of this process, she challenges the norms of knowledge production and dissolves the disciplinary boundaries that frame much of the current debate on embodiment and body marking practices. Inckle 's findings offer a powerful critique of dominant research perspectives that focus on the body and she makes a strong case for the development of a feminist-embodied-sociology in the future. As such, this book will be of immense interest to sociologists and psychologists with an interest in the body and the dynamics of embodiment as well as to scholars seeking to develop their understanding of key methodological issues. Professor Andrew C. Sparkes PhD Exeter University This book is based on one of the best methodological approaches I have come across. Supported by materials from a wide variety of disciplines, it is reflexively argued, and Dr Inckle charts new grounds in her trajectory from feminist methodologies to creative sociology, searching for new ways of producing knowledge and radically broadening the sociological research agenda to include ‘stories that come out of the body’. I particularly like the way Dr Inckle develops feminist research methodologies, critiquing participatory approaches as often difficult to implement, and the fearless, yet highly problematic, positioning of the ‘researching I’ at the centre of the research process. Dr Ronit Lentin, Department of Sociology Trinity College Dublin

The book of Genesis tells us that God made a covenant with Abraham, promising him a glorious posterity on the condition that he and all his male descendents must be circumcised. For thousands of years thereafter, the distinctive practice of circumcision served to set the Jews apart from their neighbors. The apostle Paul rejected it as a worthless practice, emblematic of Judaism's fixation on physical matters. Christian theologians followed his lead, arguing that whereas Christians sought spiritual fulfillment, Jews remained mired in such pointless concerns as diet and circumcision. As time went on, Europeans developed folklore about malicious Jews who performed sacrificial murders of Christian children and delighted in genital mutilation. But Jews held unwaveringly to the belief that being a Jewish male meant being physically circumcised and to this day even most non-observant Jews continue to follow this practice. In this book, Leonard B. Glick offers a history of Jewish and Christian beliefs about circumcision from its ancient origins to the current controversy. By the turn of the century, more and more physicians in America and England--but not, interestingly, in continental Europe--were performing the procedure routinely. Glick shows that Jewish American physicians were and continue to be especially vocal and influential champions of the practice which, he notes, serves to erase the visible difference between Jewish and gentile males. Informed medical opinion is now unanimous that circumcision confers no benefit and the practice has declined. In Jewish circles it is virtually taboo to question circumcision, but Glick does not flinch from asking whether this procedure should continue to be the defining feature of modern Jewish identity.

The Black Jewels Trilogy established Anne Bishop as an author whose “sublime skill...blend[s] the darkly macabre with spine-tingling emotional intensity”(SF Site). Now, the saga continues in this collection that includes four more adventures of Jaenelle and her kindred… Jaenelle is the most powerful Witch ever known, centuries of hopes and dreams made flesh at last. She has forged ties with three of the realm’s mightiest Blood warriors: Saetan, the High Lord of Hell, who trains Jaenelle in magic and adopts her as his daughter; Lucivar, the winged Eyrien warlord who becomes her protector; and the near-immortal Daemon, born to be Witch’s lover. Jaenelle has assumed her rightful place as Queen of the Darkness and restored order and peace to the realms, but at a terrible cost. Collected here are the beguiling stories about the origin of the mystical Jewels, the forbidden passion between Lucivar and a simple hearth witch, the clash between Saetan and a Priestess, and the choice Jaenelle must make, between her magic and happiness with Daemon...

“[A] brilliant and provocative work . . . demonstrating the centrality of the flesh to the mysteries and doctrines of the Christian faith.” —Carol Zaleski, Smith College A sustained and systematic theological reflection on the idea that being a Christian is, first and last, a matter of the flesh, Christian Flesh shows us what being a Christian means for fleshly existence. Depicting and analyzing what the Christian tradition has to say about the flesh of Christians in relation to that of Christ, the book shows that some kinds of fleshly activity conform well to being a Christian, while others are in tension with it. But to lead a Christian life is to be unconstrained by ordinary ethical norms. Arguing that no particular case of fleshly activity is forbidden, Paul J. Griffiths illustrates his message through extended case studies of what it is for Christians to eat, to clothe themselves, and to engage in physical intimacy. “In this trenchant and careful theological treatment of our embodiment, Paul Griffiths puts the stress exactly where it should be put––on the possibility of transfigured touch. By focusing on the varieties of touch, he is able to untangle several unfortunate arguments between liberals and conservatives in a most refreshing way.” —John Milbank, University of Nottingham “Very few theologians can boast a comparable combination of profound questioning and precise reasoning. This is a book worthy of the most serious reflection, debate, and admiration.” —David Bentley Hart, Notre Dame Institute for Advanced Study “Supremely lucid and beautifully austere.” —Evan Sandsmark, Modern Theology “A model of well-reasoned, stimulating and enduring theology.” —R. David Nelson, International Journal of Systematic Theology

This book focuses on the use of the past in two senses. First, it looks at the way in which medieval texts from the eighth to the fifteenth centuries discussed the past: how they presented history, what kinds of historical narratives they employed, and what anxieties gathered around the practice of historiography. Second, this study examines twentieth-century interactions with this textual past, and the problems that have arisen for critics trying to negotiate this radically different textual culture. Lauryn Mayer examines chronicle histories that have been largely ignored by scholars, bringing these neglected texts into dialogue with contemporaneous canonical works such as Troilus and Criseyde, The House of Fame, the Morte Darthur, Beowulf, and The Battle of Maldon.

In popular imagination, saints exhibit the best characteristics of humanity, universally recognizable but condensed and embodied in an individual. Recent scholarship has asked an array of questions concerning the historical and social contexts of sainthood, and opened new approaches to its study. What happens when the category of sainthood is interrogated and inflected by the problematic category of race? Sainthood and Race: Marked Flesh, Holy Flesh explores this complicated relationship by examining two distinct characteristics of the saint’s body: the historicized, marked flesh and the universal, holy flesh. The essays in this volume comment on this tension between particularity and universality by combining both theoretical and ethnographic studies of saints and race across a wide range of subjects within the humanities. Additionally, the book’s group of emerging and established religion scholars enhances this discussion of sainthood and race by integrating topics such as gender, community, and colonialism across a variety of historical, geographical, and religious contexts. This volume raises provocative questions for scholars and students interested in the intersection of religion and race today.

What does Paul mean by “the flesh”? There is a great deal of confusion among laymen and disagreement among scholars on this issue. Christians know that we are supposed to “walk by the Spirit” so that they will not gratify the desires of the flesh, but it is not entirely clear what these expressions mean. Furthermore, Paul can also be confusing when he addresses the Christian’s relationship to the flesh—are we in the flesh or not? This book clarifies these issues for us by exploring the different meanings of “flesh” throughout the Bible, and analyzing the influence both of Old Testament conceptions of “flesh” as well as new salvation-historical realities on Paul’s thinking, especially in the context of the controversy over circumcision in Galatians. By carefully following Paul’s thought, we will also gain greater insight into other Pauline themes that intersect with his theology of the flesh: new creation and his view of this age and the one to come. Most importantly, we will discover Paul’s own program for our spiritual transformation so that we may live a life of Christlike love and service despite the moral weakness of our flesh.

You Choose... Death-permeated works of the flesh or the supernatural, life-giving fruit of the Spirit? Are you tired of giving in to your flesh and letting it run your life? A life dominated by the flesh is the hardest route you can take. It is filled with excess, extremes, imbalance, self-abuse, hatred, strife, bitterness, laziness, irresponsibility, and neglect. BUT a life dominated by the Holy Spirit is filled with benefits and blessings! God has sown His Seed in you — by His Spirit and Word. You should expect to produce the fruit of the Spirit in your life — love, joy, peace, longsuffering, gentleness, goodness, faith, meekness, and temperance. So don't give way to the flesh and allow it to produce its ugly work in your life. Instead, yield to the Spirit and allow Him to produce in you the fruit of the Spirit. In The Work of the Flesh vs. The Fruit of the Spirit, Rick Renner will show you: How to identify the works of the flesh and stop yielding to them. How to start yielding to the Spirit and walking in the Spirit nonstop. How walking in the Spirit can become your realm of existence. Do you want to walk in the cruel, hard, bitter works of the flesh — or do you want to mortify the deeds of the flesh and allow the Holy Spirit to produce His wonderful fruit in you? Order this series today so you can learn how to stop the death-permeated works of the flesh in your life and release the supernatural, life-giving fruit of the Spirit!

THE FLESH EXCHANGE, a very enjoyable, unique mystery, comedy, drama. Meet the many people from all walks of life...Come, cry, and laugh with them, and solve the mystery...

On the procedures for doing the serviceable retreat of the glorious solitary hero Vajrabhairava, with the sadhana victory over evil.

Who Said Marriage Didn't Come With a Set of Instructions? See contrary to popular belief God ... never intended for us to just barely get along, or simply tolerate each other, and marriage was never supposed to be temporary, He said The Two Will Become One Flesh. (Mark 10:8 NIV) Marriage, as God designed it, is what happens when He combines the lives of an ordinary man and woman to create one extraordinary life!! And in this book you will obtain the tools necessary to possess a Godly marriage. So why settle for average when you were destined for greatness.

Killer secrets. Killer crimes - the unmissable new DS McAvoy thriller from the Sunday Times best-selling, Kindle chart-topping author "McAvoy is a true original" Mick Herron DS Aector McAvoy is on a well-deserved family holiday when the news reaches him that he's been attacked and left for dead on one of Hull's most well-to-do streets. It comes as something of a shock. But not as much as the discovery of who's really been attacked - and his growing realization it's no coincidence he's far from home, in an isolated, rural campsite, on today of all days. McAvoy's superior officer - and best friend - DS Trish Pharaoh has been keeping secrets. Secrets that are catching up with her. Secrets that could kill them all . . . David Mark brings Hull to dark, brutal life in this gripping novel in the critically acclaimed DS McAvoy series - a perfect pick for fans of Denise Mina, Val McDermid and Peter Robinson.

In John 6:51–59, John describes the Eucharist of Jesus by modeling Dionysus. In particular, John 6:53, “unless you eat the flesh of the Son of Man and drink his blood, you have no life in you” is one of the most difficult verses found anywhere in the Bible. To explain this, a new approach is needed when one consistently contemplates why John uses flesh (σάρξ) instead of body (σῶμα), and “This is my flesh”, instead of “This is my body.” The Dionysiac ritual of eating and tearing raw flesh shows cannibalistic elements. Unlike other negative descriptions of cannibalism in ancient literature, Dionysus is described as both an eater and a giver of raw flesh. By reevaluating the negative term of cannibalism, John positively applies this Dionysiac cannibalism to the Eucharistic words in 6:51–59. Because emphatically and slightly ironically, scholars’ arguments show that John 6 is still a “hard teaching” of Jesus, Jesus’ hard saying (6:60) is a consequence of this cannibalistic language and the ambiguous features of Dionysus.

Frienemy: Faith vs. Flesh is the true war within. We fight daily against ourselves versus what God desires of us. Our pride makes us buck against the Word of God which denies us from the glory of God. When we began to realize that God's way is the best way, we will receive an abundance from God. This book demonstrates how we should fight against the flesh. The flesh appears to be our frienemy which kills us slowly. Its a battle, but we will win.

National Book Critics Circle Award Winner: Biography Category National Book Award Finalist 2015 Winner of the Sheridan Morley Prize for Theatre Biography American Academy of Arts and Letters’ Harold D. Vursell Memorial Award A Chicago Tribune 'Best Books of 2014' USA Today: 10 Books We Loved Reading Washington Post, 10 Best Books of 2014 The definitive biography of America's greatest playwright from the celebrated drama critic of The New Yorker. John Lahr has produced a theater biography like no other. Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate. With vivid cameos of the formative influences in Williams's life—his fierce, belittling father Cornelius; his puritanical, domineering mother Edwina; his demented sister Rose, who was lobotomized at the age of thirty-three; his beloved grandfather, the Reverend Walter Dakin—Tennessee Williams: Mad Pilgrimage of the Flesh is as much a biography of the man who created A Streetcar Named Desire, The Glass Menagerie, and Cat on a Hot Tin Roof as it is a trenchant exploration of Williams’s plays and the tortured process of bringing them to stage and screen. The portrait of Williams himself is unforgettable: a virgin until he was twenty-six, he had serial homosexual affairs thereafter as well as long-time, bruising relationships with Pancho Gonzalez and Frank Merlo. With compassion and verve, Lahr explores how Williams's relationships informed his work and how the resulting success brought turmoil to his personal life. Lahr captures not just Williams’s tempestuous public persona but also his backstage life, where his agent Audrey Wood and the director Elia Kazan play major roles, and Marlon Brando, Anna Magnani, Bette Davis, Maureen Stapleton, Diana Barrymore, and Tallulah Bankhead have scintillating walk-on parts. This is a biography of the highest order: a book about the major American playwright of his time written by the major American drama critic of his time.