Rap Artists I Want To Punch In The Face

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Can music feel pain? Do songs possess dignity? Do symphonies have rights? Of course not, you might say. Yet think of how we anthropomorphize music, not least when we believe it has been somehow mistreated. A singer butchered or mangled the "Star-Spangled Banner" at the Super Bowl. An underrehearsed cover band made a mockery of Led Zeppelin's classics. An orchestra didn't quite do justice to Mozart's Requiem. Such lively language upholds music as a sentient companion susceptible to injury and in need of fierce protection. There's nothing wrong with the human instinct to safeguard beloved music . . . except, perhaps, when this instinct leads us to hurt or neglect fellow human beings in turn: say, by heaping outsized shame upon those who seem to do music wrong; or by rushing to defend a conductor's beautiful recordings while failing to defend the multiple victims who have accused this maestro of sexual assault. Loving Music Till It Hurts is a capacious exploration of how people's head-over-heels attachments to music can variously align or conflict with agendas of social justice. How do we respond when loving music and loving people appear to clash?

The Beat! was the first book to explore the musical, social, and cultural phenomenon of go-go music. In this edition, updated by a substantial chapter on the current scene, authors Kip Lornell and Charles C. Stephenson, Jr., place go-go within black popular music made since the middle 1970s—a period during which hip-hop has predominated. This styling reflects the District's African American heritage. Its super-charged drumming and vocal combinations of hip-hop, funk, and soul evolved and still thrive on the streets of Washington, DC, and in neighboring Prince George's County, making it the most geographically compact form of popular music. Go-go—the only musical form indigenous to Washington, DC—features a highly syncopated, nonstop beat and vocals that are spoken as well as sung. The book chronicles its development and ongoing popularity, focusing on many of its key figures and institutions, including established acts such as Chuck Brown (the Godfather of Go-Go), Experience Unlimited, Rare Essence, and Trouble Funk; well-known DJs, managers, and promoters; and filmmakers who have incorporated it into their work. The Beat! provides longtime fans and those who study American musical forms a definitive look at the music and its makers.

Who is Donald Trump? Even after a yearlong presidential campaign, and constant media coverage, many Americans don’t know if he’s for real or just a businessman turned showman turned politician who has become President of the United States. His path to the White House, from early childhood through the 2016 campaign and Election are laid bare in Trump This! The Life And Times of Donald Trump: An Unauthorized Biography written by New York Times Bestselling Author Marc Shapiro. Bringing insight into the psychology and motivation of Donald Trump was the equivalent of solving a mystery. What guides Trump to the decisions he makes? Is his personality real or just a caricature driven smokescreen? Is he the living embodiment of a brand or does a heart and soul lurk beneath his flamboyant and often-bullying exterior? In answering those questions many heretofore unknown facts came to life. Trump’s grandfather ran brothels during The Gold Rush years. His father allegedly ran with The Ku Klux Klan. Trump punched out a teacher in the second grade. Trump lived a wild, sexually charged life at Studio 54. The true story of how Trump avoided the draft. The affair that wrecked his first marriage. Why Trump sued a man because he had the same last name. His biggest business successes and failures. If you only discovered Donald Trump with the television show The Apprentice or with his race for President of the United States, the chances are you think you know quite a bit about Donald Trump. But the reality is that, like all larger than life personalities, Trump has cultivated his public image well. He’s been selective in what he’s let out and, when pressed, he’s been quick to deny. Trump This! The Life And Times of Donald Trump: An Unauthorized Biography has dug deep into the truth that is Donald Trump. And this is what we’ve found.

Female spoken word artists have become the spokeswomen for a new generation. This demanding oral poetry of the early 21st century has defined a vanguard of lithely muscled voices, women who think and act decisively to create their distinctive and desperately earned realities. The combination of the eminent slam movement and the upsurge of bold underground feminism has created a unique pool of women who verbally challenge society on all fronts. Editor Alix Olson (internationally touring spoken word artist-activist) brought together a variety of astounding spoken word artists for Word Warriors. Included in this collection are Patricia Smith and Eileen Myles, two of our most formidable spoken-word foremothers, Tony-award winners Sarah Jones, Suheir Hammad and Staceyann Chin, recording artists Bitch and Lynn Breedlove from the dyke-punk band Tribe 8, award-winning writer Michelle Tea, and many more. These women join other amazing artists from many different backgrounds to create Word Warriors, a powerful and comprehensive collection of work from the best and brightest female spoken word artists today.

Now that the Twentieth Century is behind us . what made it what it was? 200 million human beings killed by war, totalitarianism, and extermination programs. What made the twentieth century the most murderous age in human history, as well as the age that made the greatest advances ever in science and technology, while art and serious music declined into abstraction, non-communication, and grotesque hoaxes-blank canvases, old urinals, cans of excrement, and concertos consisting of four minutes of silence? This book argues that the century was marked by an over-masculinization of the Western mind, leading to autism and psychopathic aggression, and the eclipse of the feminine, expressive, emotional, empathetic side of human nature. Hence the unprecedented culture of total war and genocide, and the totalitarian projects to raze the human past and start again-which Modernism carried out in the arts. Hence also the masculinization of sexual behavior (as romance gave way to pornography, and marriage to promiscuity), the adoption by women of a male work role, the decline of motherhood and family, and the collapse of Western birthrates. This is all traced back to the rise of two aggressive, ultra-masculine ideologies in the nineteenth century, Darwinism and Marxism (which gave birth to Fascism and Feminism.) These ideologies put violence, conflict and aggression at the heart of life, and changed human mentalities. This book examines these developments through the literature and art of the past hundred and fifty years, and discusses their implications for the future of Western Civilization.

The story of how Toronto became a music mecca. From Yonge Street to Yorkville to Queen West to College, the neighbourhoods that housed Toronto’s music scenes. Featuring Syrinx, Rough Trade, Martha and the Muffins, Fifth Column, Shadowy Men on a Shadowy Planet, Rheostatics, Ghetto Concept, LAL, Broken Social Scene, and more! “Jonny Dovercourt, a tireless force in Toronto’s music scene, offers the widest-ranging view out there on how an Anglo-Saxon backwater terrified of people going to bars on Sundays transforms itself into a multicultural metropolis that raises up more than its share of beloved artists, from indie to hip-hop to the unclassifiable. His unique approach is to zoom in on the rooms where it’s happened – the live venues that come and too frequently go – as well as on the people who’ve devoted their lives and labours to collective creativity in a city that sometimes seems like it’d rather stick to banking. For locals, fans, and urban arts denizens anywhere, the essential Any Night of the Week is full of inspiration, discoveries, and cautionary tales.” —Carl Wilson, Slate music critic and author of Let’s Talk About Love: A Journey to the End of Taste, one of Billboard’s ‘100 Greatest Music Books of All Time’ “Toronto has long been one of North America’s great music cities, but hasn’t got the same credit as L.A., Memphis, Nashville, and others. This book will go a long way towards proving Toronto’s place in the music universe.” —Alan Cross, host, the Ongoing History of New Music “The sweaty, thunderous exhilaration of being in a packed club, in collective thrall to a killer band, extends across generations, platforms, and genre preferences. With this essential book, Jonny has created something that's not just a time capsule, but a time machine.” —Sarah Liss, author of Army of Lovers

Stephen Fry invites readers to take a glimpse at his life story in the unputdownable More Fool Me. 'Oh dear I am an arse. I expect there'll be what I believe is called an "intervention" soon. I keep picturing it. All my friends bearing down on me and me denying everything until my pockets are emptied. Oh the shame' In his early thirties, Stephen Fry - writer, comedian, star of stage and screen - had, as they say, 'made it'. Much loved in A Bit of Fry and Laurie, Blackadder and Jeeves and Wooster, author of a critically acclaimed and bestselling first novel, The Liar, with a glamorous and glittering cast of friends, he had more work than was perhaps good for him. What could possibly go wrong? Then, as the 80s drew to a close, he discovered a most enjoyable way to burn the candle at both ends, and took to excess like a duck to breadcrumbs. Writing and recording by day, and haunting a never ending series of celebrity parties, drinking dens, and poker games by night, in a ludicrous and impressive act of bravado, he fooled all those except the very closest to him, some of whom were most enjoyably engaged in the same dance. He was - to all intents and purposes - a high functioning addict. Blazing brightly and partying wildly as the 80s turned to the 90s, AIDS became an epidemic and politics turned really nasty, he was so busy, so distracted by the high life, that he could hardly see the inevitable, headlong tumble that must surely follow . . . Containing raw, electric extracts from his diaries of the time, More Fool Me is a brilliant, eloquent account by a man driven to create and to entertain - revealing a side to him he has long kept hidden. Stephen Fry is an award-winning comedian, actor, presenter and director. He rose to fame alongside Hugh Laurie in A Bit of Fry and Laurie (which he co-wrote with Laurie) and Jeeves and Wooster, and was unforgettable as Captain Melchett in Blackadder. He also presented Stephen Fry: The Secret Life of the Manic Depressive, his groundbreaking documentary on bipolar disorder, to huge critical acclaim. His legions of fans tune in to watch him host the popular quiz show QI each week.

Famous pop stars and rappers from Jay-Z and Rick Ross to Rihanna and Christina Aguilera are believed by many to be a part of the infamous Illuminati secret society. These stars allegedly use Illuminati and satanic symbolism in their music videos and on their clothes that goes unnoticed by those not “in the know.” Since these stars appear in our livings rooms on family friendly mainstream shows like Good Morning America, Ellen, and dozens of others—and are loved by virtually all the kids—they couldn’t possibly have anything to do with the infamous Illuminati or anything “satanic,” could they? Some famous musicians have even publicly denounced the Illuminati in interviews or songs. Illuminati in the Music Industry takes a close look at some of today’s hottest stars and decodes the secret symbols, song lyrics, and separates the facts from the fiction in this fascinating topic. You may never see your favorite musicians the same way ever again. Includes 50 photographs. Discover why so many artists are promoting the Illuminati as the secret to success. Why an aspiring rapper in Virginia shot his friend as an “Illuminati sacrifice” hoping it would help him become rich and famous. How and why the founder of BET Black Entertainment Television became the first African American billionaire. Why popular female pop stars like Rihanna, Christina Aguilera, Kesha and others are promoting Satanism as cool, something that was once only seen in heavy metal and rock and roll bands. Some musicians like Korn’s singer Jonathan Davis, rapper MC Hammer, Megadeth’s frontman Dave Mustaine, and others have all denounced the Illuminati and artists promoting them. Les Claypool, singer of Primus wrote a song about the Bohemian Grove. Muse singer Matt Bellamy recants his belief that 9/11 was an inside job after getting a taste of mainstream success with his album, The Resistance. Bono said he attended an Illuminati meeting with other celebrities. Was he joking or serious? Why rap and hip hop is filled with Illuminati puppets and wannabes more than other genres of music. Includes detailed profiles on dozens of artists who are suspected of being affiliated with the Illuminati and highlights the handful of musicians who have denounced the secret society and their puppets. Learn about media effects, the power of celebrity, what the externalization of the hierarchy means and how you can break free from the mental enslavement of mainstream media and music. By the author of The Illuminati: Facts & Fiction

Pre-order the brand new novel from Sunday Times bestseller Karen Rose. The closer you get to the truth, the more dangerous it gets. FBI Agent Tom Hunter has been chasing down leads to find the brutal cult that damaged some of his closest friends. They managed to escape to tell their stories, but Eden's location has always remained a mystery. Liza Barkley is struggling with her feelings for Tom and wonders if their friendship can survive the secrets they've kept from one another. But they may be forced to confront the truth when a chance to help the investigation puts Liza directly in the line of fire. When the perpetrator of an attempted sniper attack on Liza and her friends is discovered to be one of the cult's leaders, DJ Belmont, it becomes clear that he is out to get revenge on the victims who escaped Eden's clutches. But there is one person who has always had control over DJ, and who no one outside of Eden has ever glimpsed: cult leader Pastor. When a serious injury forces Pastor to seek help outside the confines of the Eden, Tom and his team finally have a chance to bring the cult down. But DJ Belmont has his own plan, and is not going to stop until he gets what he wants...

This title brings together the category of religion, hip hop cultural modalities and the demographic of youth. Bringing postmodern theory and critical approaches in the study of religion to bear on hip hop cultural practices, the book examines how scholars in have deployed and approached religion when analyzing hip hop data.

Hip hop is remarkably self-critical as a genre. In lyrics, rappers continue to debate the definition of hip hop and question where the line between underground artist and mainstream crossover is drawn, who owns the culture and who runs the industry, and most importantly, how to remain true to the culture's roots while also seeking fame and fortune. The tension between the desires to preserve hip hop's original culture and to create commercially successful music promotes a lyrical war of words between mainstream and underground artists that keeps hip hop very much alive today. In response to criticisms that hip hop has suffered or died in its transition to the mainstream, this book seeks to highlight and examine the ongoing dialogue among rap artists whose work describes their own careers. Proclamations of hip hop's death have flooded the airwaves. The issue may have reached its boiling point in Nas's 2006 album Hip Hop is Dead. Nas's album is driven by nostalgia for a mythically pure moment in hip hop's history, when the music was motivated by artistic passion, instead of base commercialism. In the course of this same album, however, Nas himself brags about making money for his particular record label. These and similar contradictions are emblematic of the complex forces underlying the dialogue that keeps hip hop a vital element of our culture. Is Hip Hop Dead? seeks to illuminate the origins of hip hop nostalgia and examine how artists maintain control of their music and culture in the face of corporate record companies, government censorship, and the standardization of the rap image. Many hip hop artists, both mainstream and underground, use their lyrics to engage in a complex dialogue about rhyme skills versus record sales, and commercialism versus culture. This ongoing dialogue invigorates hip hop and provides a common ground upon which we can reconsider many of the developments in the industry over the past 20 years. Building from black traditions that value knowledge gained from personal experience, rappers emphasize the importance of street knowledge and its role in forging a career in the music business. Lyrics adopt models of the self-made man narrative, yet reject the trajectories of white Americans like Benjamin Franklin who espoused values of prudence, diligence, and delayed gratification. Hip hop's narratives instead promote a more immediately viable gratification through crime and extend this criminal mentality to their work in the music business. Through the lens of hip hop, and the threats to hip hop culture, author Mickey Hess is able to confront a range of important issues, including race, class, criminality, authenticity, the media, and personal identity.

This collection of essays critically engages with factors relating to black urban life and cultural representation in the post-civil rights era, using Ice-T and his myriad roles as musician, actor, writer, celebrity, and industrialist as a vehicle through which to interpret and understand the African American experience. Over the past three decades, African Americans have faced a number of new challenges brought about by changes in the political, economic and social structure of America. Furthermore, this vastly changed social landscape has produced a number of resonant pop-cultural trends that have proved to be both innovative and admired on the one hand, and contentious and divisive on the other. Ice-T’s iconic and multifarious career maps these shifts. This is the first book that, taken as a whole, looks at a black cultural icon's manipulation of (or manipulation by?) so many different forms simultaneously. The result is a fascinating series of tensions arising from Ice-T’s ability to inhabit conflicting pop-cultural roles including: ’hardcore’ gangsta rapper and dedicated philanthropist; author of controversial song Cop Killer and network television cop; self-proclaimed ’pimp’ and reality television house husband. As the essays in this collection detail, Ice-T’s chameleonic public image consistently tests the accepted parameters of black cultural production, and in doing so illuminates the contradictions of a society erroneously dubbed ’post-racial’.

Beast. Monster. Savage. Psycho. The glowering menace of Mike Tyson has spooked us for almost two decades. And still we remain fascinated. Why? Ellis Cashmore's answer is disturbing: white society has created Tyson as vengeance for the loss of privilege produced by civil rights. Cashmore's eviscerating analysis of Tyson's life and the culture in which he grew up, rose to prominence and descended into disgrace provokes the reader into re-thinking the role of one of the most controversial and infamous figures of recent history. Told as an odyssey-style homeward journey to Tyson's multi-pathological origins in the racially-explosive ghettos of the 1960s, Tyson's story is part biography, part tragedy and part exposition. His associations with people like Al Sharpton, Don King and Tupac Shakur shaped his life; and events, such as the O J Simpson trial and the Rodney King riots, formed a turbulent background for the Tyson psychodrama. Over the course of an epic boxing career, Tyson was transformed from the most celebrated athlete on earth to a primal, malevolent hate-figure. Yet, even after being condemned as a brute, Tyson retained a power - a power to captivate. Cashmore reveals that the sources of that power lie as much in us as in Tyson himself.

"Featuring contributions from internationally recognized Hip Hop dancers, advocates, and scholars of various Hip Hop or streetdance practices, the Oxford Handbook of Hip Hop Dance Studies is the first collection devoted exclusively to the dances that fall under the rubric of Hip Hop. Each of its five sections explore different key themes relevant to streetdance: legacies and traditions, Hip Hop methodologies, the politics of identity, institutionalization, Hip Hop (dance) theatre, and issues of health, injury, and rehabilitation. This compendium of topics, approaches, theoretical influences, histories, and perspectives demonstrate the futures of a field in formation. It adds new resources to research in dance and Hip Hop studies, contributing to ongoing debates within Hip Hop dance communities globally"--

An insightful new resource that looks at the rise of American hip hop as a series of distinct regional events, with essays covering the growth of hip hop culture in specific cities across the nation. Thoroughly researched, thoroughly in tune with the culture, Hip Hop in America: A Regional Guide profiles two dozen specific hip hop scenes across the United States, showing how each place shaped a singular identity. Through its unique geographic perspective, it captures the astonishing diversity of a genre that has captivated the nation and the world. In two volumes organized by broad regions (East Coast, West Coast and Midwest and the Dirty South), Hip Hop in America spans the complete history of rap—from its 1970s origins to the rap battles between Queens and the Bronx in the 1980s, from the well-publicized East Coast vs. West Coast conflicts in the 1990s to the rise of the Midwest and South over the past ten years. Each essay showcases the history of the local scene, including the MCs, DJs, b-boys and b-girls, label owners, hip hop clubs, and radio shows that have created distinct styles of hip hop culture.

'This book is a must for everyone interested in illuminating the idea of unexplainable genius' - QUESTLOVE Equal parts biography, musicology, and cultural history, Dilla Time chronicles the life and legacy of J Dilla, a musical genius who transformed the sound of popular music for the twenty-first century. He wasn't known to mainstream audiences, and when he died at age thirty-two, he had never had a pop hit. Yet since his death, J Dilla has become a demigod, revered as one of the most important musical figures of the past hundred years. At the core of this adulation is innovation: as the producer behind some of the most influential rap and R&B acts of his day, Dilla created a new kind of musical time-feel, an accomplishment on a par with the revolutions wrought by Louis Armstrong and James Brown. Dilla and his drum machine reinvented the way musicians play. In Dilla Time, Dan Charnas chronicles the life of James DeWitt Yancey, from his gifted Detroit childhood to his rise as a sought-after hip-hop producer to the rare blood disease that caused his premature death. He follows the people who kept Dilla and his ideas alive. And he rewinds the histories of American rhythms: from the birth of Motown soul to funk, techno, and disco. Here, music is a story of what happens when human and machine times are synthesized into something new. This is the story of a complicated man and his machines; his family, friends, partners, and celebrity collaborators; and his undeniable legacy. Based on nearly two hundred original interviews, and filled with graphics that teach us to feel and "see" the rhythm of Dilla's beats, Dilla Time is a book as defining and unique as J Dilla's music itself. Financial Times Music Book of the Year 2022