Ruthless Idols

I knew being the only Norm at Gifted Academy would be hard and dangerous, but I didn't expect to be tossed out of a window. Also didn't expect to be saved by one of the Magnificent Four. Bryce brought me back from the brink of death, but he did more than heal my broken bones. He weakened my defenses and carved a place in my heart. He's not the only one vying for my attention. Rufio, Phoenix, and Morpheus have all changed their attitudes toward me, and recklessly, I want to know where it will lead. But a complicated romance with four ruthless Idols should be the least of my worries. Powerful players are closing in, getting ready to either use or destroy me. I don't know which one is worse.

An astute, outspoken lay theologian talks to Christians about how they can today find freedom in obedience to Christ's gospel and about the urgent necessity of trying to live this kind of freedom now. He insists that his readers look realistically and relentlessly at their own condition, at the condition of the church -- and that they see how these relate and compare to Christ's gospel. His book, based on certain passages from Hebrews, thus becomes a call to freedom and a call to revolutionary Christianity. William Stringfellow begins by spelling out, in impressive and telling detail, how the church has become mired in secular idolatries and ideologies, both economic and political. Then, in constrast to this situation, he examines Christ's resistance to the temptations of worldly power. Stringfellow ends his book by emphasizing the meaning of the resurrection as the exercise of the freedom of God and sets forth the victory over death and bondage given in Christ. Only in that gift is the Christian free to offer his own life to the world. Only thus is he free in obedience.

“Matt Heard writes winsomely and compellingly, answering that quiet aching so many people – yes, even Christians – have that there must be more to life…. I highly recommend Life With a Capital L!” - Joni Eareckson Tada, Joni and Friends International Disability Center What is it that you long for? Dream about? Hunger after? We all desire more than just the endurance of our daily routines. But often we feel limited and stuck — like we’re merely existing instead of living. That’s not the way it was meant to be. God intends the humanity in each of us to be deeply experienced, lavishly enjoyed, and exuberantly celebrated. In fact this is what the gospel is all about. Yes, the gospel. Contrary to conventional thinking — inside and outside the church — following Jesus is not about denying our humanness but embracing it. Rather than acting more spiritual or being more religious, we’re called and enabled to become more fully human… and alive. Matt Heard escorts us on a journey of discovery: that Jesus didn’t come to save us from our humanity — Christ instead yearns to restore it to what God originally intended. Matt then explores ten key areas where everyday life can become extraordinary Life. Christ promised we could “live life to the full.” He didn’t just mean eventually. Life with a Capital L is the Life you are longing for. Now.

From benefits and the job queue to winning millions on the lottery! Happy? No. Anxious? Yes. Imprisoned? Yes. Chased by the Mob? Absolutely! Everything is not what it seems to be in this madcap story. Who would you trust with two million pounds? An anxious tale of a peculiar man who wins a fortune, receives a jail sentence, escapes and is then hunted by a variety of London's most notorious criminals. Peace of mind is a forgotten luxury when your life hangs in the balance. Is the money worth it? "A dark comedy of outrageous magnitude!" Ray Hoy of the Fiction Works "A crazy idea brought to life. So much to read between the lines." FRK.

I knew being the only Norm at Gifted Academy would be hard and dangerous, but I didn't expect to be tossed out of a window. Also didn't expect to be saved by one of the Magnificent Four.Bryce brought me back from the brink of death, but he did more than heal my broken bones. He weakened my defenses and carved a place in my heart.He's not the only one vying for my attention. Rufio, Phoenix, and Morpheus have all changed their attitudes toward me, and recklessly, I want to know where it will lead.But a complicated romance with four ruthless Idols should be the least of my worries. Powerful players are closing in, getting ready to either use or destroy me. I don't know which one is worse.

Throughout history, all monarchs have lived with the same dichotomy of simultaneously being human and more than human. In our time, when monarchs seem little more than tourist curiosities and democracy is taken for granted, it is easy to forget just how much power pre-democratic rulers once wielded. The rulers and holders of political power in this book were all possessed of vast - in many cases, absolute, - power: power which was often exercised arbitrarily and unjustly. What unites the figures in this book is that they all, in one way or another, failed to live up to the extravagantly high hopes invested in them and, as a consequence, have been judged harshly by history. A few, such as George III, might have been remembered more kindly were it not for mental illness changing their status from that of hero to villain. Some, like Louis XVI, were unfairly transformed into monsters by hostile propaganda, while others, such as Pete the Great, have been both celebrated as heroes and denounced as tyrants, often in the same breath. Finally, there are hose rulers who, like Caligula or Ivan the Terrible, may well fully deserve their evil reputations. Ruthless Rulers is a study in how often rulers were carried away or overwhelmed by their exalted status, while a few were even driven over the edge into madness.

Challenging the Western view of idols as objects of worship, this book explores the role that male idols play in fashion and cosmetics brand marketing in mainland China, Hong Kong, and Macau; including the role of the female gaze. It examines idols in the more modern, pan-Asian sense of the word - as objects of social devotion, worshipped by the adoring masses and, in China and Korea, as objects of social and moral uplift. The contemporary idol wields great power - the power to influence taste, and to sell - and Male Idols and Branding in Chinese Luxury focuses on their ability to arouse the consumer appetite to buy. In China, popular culture idols play a vital role in the luxury fashion and cosmetics industries as brand ambassadors and this volume fills a critical gap in the English-language literature on this key element of the marketing industry, bringing together authors from the United States and China, and featuring case studies on idols Wang Yibo and Xiao Zhan. Through considering the subtleties of branding and marketing in China, Korea, and Japan, and the relationship of Chinese idols to fans and consumers in other Asian countries, the authors delve into brand-idol collaborations, particularly through lenses of brand image and toxic fan culture.

Ruthless Winnicott is an extended exploration of the role of ruthlessness in psychic development. That survival is of no use unless it is preceded by a ruthless attack is one of D. W. Winnicott’s most resonant paradoxes. The book links this with the search for subjective freedom for those traumatized by colonialism, and in doing so draws on the work of Algerian psychiatrist and revolutionary psychoanalytic thinker Frantz Fanon. Sally Swartz examines essential pieces of Winnicott’s work on ruthlessness as central to the emergence of concern for the Other. She illustrates, with clinical examples, ways in which the ruthless use of the psychoanalytic psychotherapeutic space allows the patient either to enter fully into a process that allows growth, or to defend ruthlessly against the anxieties provoked by psychic change. Ruthless Winnicott also maps decolonial challenges to psychoanalytic theory, and the role of ruthlessness in protest movements demanding radical subjective change. Swartz’s exploration of ruthlessness as both zest and defense in individual development and in protest movements illuminates processes of psychological collision and change. It traces links between individual trauma and collective turbulence, and maps ways in which ruthlessness is essential to subjective change. Ruthless Winnicott will be of great interest to psychoanalysts and psychoanalytic psychotherapists, as well as scholars of colonialism, decolonization and post-colonialism.

Ruthless Criticism was first published in 1993. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Ruthless Criticism offers perspectives and subjects largely outside traditional historiography. It broadens the concept of media history to include lesser-studied media, and offers alternative interpretations of traditional media. This anthology of original research includes an array of scholarly and theoretical perspectives. Each addresses specific topic within a specific era. reflecting the diversity of U.S. mass media. Solomon and McChesney begin by using critical theory and deconstruction to examine the meanings of print in the colonial era. Subsequent chapters study the media ecology of the antebellum press; the intense focus on profits of the post-Civil War mainstream press; gender images in the labor press; the diversity of political views within the working-class press; and the development of a commercial press in the black community. The essays concerning the twentieth century focus on the rise of a culture industry and include studies on the origins of the broadcast ratings system and the commercial broadcast system and the commercial broadcast system, early television's portrayals of childhood, the televisions networks' close ties with the federal government, the government's key role in creating and developing the field of mass communication research, and teenage girls' popular culture from 1960–1968 as a formative influence on the feminist movement.

A lively and engaging retelling of the story of Gideon. A powerful challenge to both Christians and non-Christians. Are you a loser or winner? Capable or useless? A hero or a zero. Watch what happens when God takes hold of loser-boy Gideon, and moulds and shapes him into the unlikeliest of heroes. And discover how God continues to use our weakness to bring about his purposes in the world. This richly illustrated book for teens and older brings the power of this exciting story to bear on our modern lives.

In today's increasingly competitive and insecure economic environment, we often question the reason for work: why am I doing this? Why is it so hard? And what can I do about it? Work may seem just a means to an end: we do it to earn the money to enjoy life outside the workplace. Here, Timothy Keller argues that God's plan is radically more ambitious: he actually created us to work. We are to work together to make the world a better place, to help each other, and so to find purpose for our lives. Our faith should enhance our work, and our work should develop our faith.With deep insight, Timothy Keller draws on essential and relevant biblical wisdom to address our questions about work. There is grace available if we have taken the wrong attitude, idolising money and using our careers to glorify ourselves rather than God. This book provides the foundations for a work-life balance where we can thrive both personally and professionally. Keller shows how through excellence, integrity, discipline, creativity and passion in the workplace we can impact society for good.Developing a better attitude to work releases us to serve others humbly, to worship God everyday, and leaves us deeply fulfilled.

How Marcuse helps us understand the ecological crisis of the 21st century For several years after 1968, Herbert Marcuse was one of the most famous philosophers in the world. He became the face of Frankfurt School Critical Theory for a generation in turmoil. His fame rested on two remarkable books, Eros and Civilization and One-Dimensional Man. These two books represent the utopian hopes and dystopian fears of the time. In the 1960s and 70s, young people seeking a theoretical basis for their revolution found it in his work. Marcuse not only supported their struggles against imperialism and race and gender discrimination, he foresaw the far-reaching implications of the destruction of the natural environment. Marcuse’s Marxism was influenced by Husserl and Heidegger, Hegel and Freud. These eclectic sources grounded an original critique of advanced capitalism focused on the social construction of subjectivity and technology. Marcuse contrasted the “one-dimensionality” of conformist experience with the “new sensibility” of the New Left. The movement challenged a society that “delivered the goods” but devastated the planet with its destructive science and technology. A socialist revolution would fail if it did not transform these instruments into means of liberation, both of nature and human beings. This aspiration is alive today in the radical struggle over climate change. Marcuse offers theoretical resources for understanding that struggle.

In The Uses of Idolatry, William T. Cavanaugh offers a sustained and interdisciplinary argument that worship has not waned in our supposedly "secular" world. Rather, the target of worship has changed, migrating from the explicit worship of God to the implicit worship of things. Cavanaugh examines modern idolatries and the ways in which humans become dominated by our own creations. While Cavanaugh is critical of modern idolatries, his argument is also sympathetic, seeing in idolatry a deep longing in the human heart for the transformation of our lives. We all believe in something, he argues: we are worshipping creatures whose devotion alights on all sorts of things, in part because we are material creatures, and the material world is beautiful. Following an invisible God is hard for material creatures, so we-those who profess belief in God and those who don't-fixate on things that are closer to hand. Ranging widely across the fields of history, philosophy, political science, sociology, and cultural studies, Cavanaugh develops an account of modernity as not the condition of being disenchanted but the condition of having learned to describe the world as disenchanted. For a better description of the world, Cavanaugh turns to scriptural, theological, and phenomenological accounts of idolatry as inordinate devotion to created things. Through deep explorations of nationalism and consumer culture, The Uses of Idolatry presents a sympathetic but critical account of how and why we sacrifice ourselves and others to gods of our own design.

I didn't plan to marry a reclusive heiress. Lucky for me, I find myself attracted to my beautiful new bride. Our arranged marriage connects two powerful companies. That we’re compatible between the sheets is a bonus, but I didn’t bargain on her ex showing up at the wedding reception uninvited. That pushed me right over the edge. I protect what’s mine, and Charlotte is now mine, whether she likes it or not. Our honeymoon is a disaster in paradise. I’m angry. She’s resentful. All those swirling emotions explode in the most physical ways. But even as I'm drawn closer to my new wife, there’s still a threat looming out there. Seamus McTiernan is determined to destroy what we’ve created. I won’t let anything tear us apart. He has no idea who he’s dealing with. I will end him. Watch me. Welcome to the Midnight Dynasty... The warring Morelli and Constantine families have enough bad blood to fill an ocean, and their brand new stories will be told by your favorite dangerous romance authors. WARNING: This book is intended for readers eighteen years old and over. It contains material that some readers could find disturbing. Enter at your own risk...

The music industry has been waging some very significant battles in recent years, reacting to numerous inter-related crises provoked by globalization, digitalization and the ever more extensive commercialization of public culture. These struggles are viewed by many as central to the survival of the central mediators in the consumption of popular music. These battles are not just against piracy and the sharing of digital song files on the internet. The music industry is also struggling to find ways to compete or integrate with many other forms of entertainment, including films, television programmes, mobile phones, DVDs and video games in an extremely crowded communications environment. The battles currently being fought by the music industry are about nothing less than its continued ability to create and maintain specific kinds of profitable relationships with consumers. This book presents two inter-related cases of crisis and opportunity: the music industry's epic struggle over piracy and the 'Idol' phenomenon. Both are explicit attempts to control and justify the particular ways in which the music industry makes money from popular music through specific kinds of relationships with consumers. The battles over piracy have been fought with a remarkable collection of campaigns consisting of advice, coercion and argument about what is or is not the best way to consume music. From these complicated and often contradictory campaigns we form an unusually clear picture of what many within the music industry imagine their industry to be. In a complementary way, 'Idol' works to demonstrate the joy and pleasure of consuming popular music the 'right' way. By creating a series of intertwined relationships with consumers around multiple sites of consumption, incorporating television, radio, live performance, traditional print media campaigns, text messaging and all manner of internet-based systems of communication and 'fan management,' the producers of 'Idol' present an ideal relationship between musicians and audiences. Instead of focusing on selling CDs, the music industry's digital Achilles' heel, 'Idol' has given the music industry an integrated platform for displaying its expanded palette of products and venues for consumption. When understood in specific relation to the battle against piracy, Fairchild's analysis of 'Idol' and the emerging promotional cultures of the music industry it exhibits shows how multiple sites of consumption, and attempts to mediate and control the circulation of popular music, are being used to combat the foundational challenges facing the music industry.

This is the most complete and compelling account of idols and celebrity in Japanese media culture to date. Engaging with the study of media, gender and celebrity, and sensitive to history and the contemporary scene, these interdisciplinary essays cover male and female idols, production and consumption, industrial structures and fan movements.