Seeing Red

A brilliant and daring piece of scholarship, this book will raise eyebrows and spark much debate. It does not simply break new ground, it breaks all the rules¿¿ultimately compelling us to examine and embrace scholarship in fresh, innovative ways. Seeing Red is based on Pauline Sameshima's doctoral dissertation, Winner of the 2007 Arts Based Educational Research (ABER) Outstanding Dissertation Award by the American Educational Research Association (AERA). This award is for the best dissertation that explores, is an exemplar of, and pushes the boundaries of arts based educational research. The book showcases a PhD dissertation written in the form of an epistolary bildungsroman¿a didactic novel of personal developmental journeying. The work is a fiction (letters from a graduate student to the professor she is in love with) embedded in developmental understanding of living the life of a teacher researcher. The work shares the possibilities of how artful research informs processes of scholarly inquiry and honours the reader's multi-perspective as integral to the research project's transformative potential. Parallax is the apparent change of location of an object against a background due to a change in observer position or perspective shift. The concept of parallax encourages researchers and teachers to acknowledge and value the power of their own and their readers¿ and students' shifting subjectivities and situatedness which directly influence the constructs of perception, interpretation, and learning. The novel format ties themes and characters together just as storytelling can bind theory and practice. Norman Denzin (2005) supports the pedagogical and libratory nature of the critical democratic storytelling imagination. He hails this book as "... bold, innovative, a wild, transformative text, ... almost unruly, a new vision for critical, reflexive inquiry." The love story and issues of teacher/learner role boundaries are controversial and largely unspoken of in educational settings and the letter format is voyeuristic. In this sense, the audience is being given a peek, a look at the unrevealed. One of the advantages of the epistolary novel is its semblance of reality and the difficulty for readers to distinguish the text from genuine correspondence (Wurzbach, 1969). The genre allows the reader access to the writing character's intimate thoughts without perceived interference from the author's manipulation and conveys events with dramatic and sensational immediacy (Carafi, 1997).

The first book to examine the role of Canada’s newspapers in perpetuating the myth of Native inferiority. Seeing Red is a groundbreaking study of how Canadian English-language newspapers have portrayed Aboriginal peoples from 1869 to the present day. It assesses a wide range of publications on topics that include the sale of Rupert’s Land, the signing of Treaty 3, the North-West Rebellion and Louis Riel, the death of Pauline Johnson, the outing of Grey Owl, the discussions surrounding Bill C-31, the “Bended Elbow” standoff at Kenora, Ontario, and the Oka Crisis. The authors uncover overwhelming evidence that the colonial imaginary not only thrives, but dominates depictions of Aboriginal peoples in mainstream newspapers. The colonial constructs ingrained in the news media perpetuate an imagined Native inferiority that contributes significantly to the marginalization of Indigenous people in Canada. That such imagery persists to this day suggests strongly that our country lives in denial, failing to live up to its cultural mosaic boosterism.

A unique, proven approach to anger management for elementary and middle-school aged children. Anger is a natural human emotion, but if it isn't managed properly its effects can be devastating. Seeing Red is a curriculum designed to help elementary and middle-school aged students better understand their anger so they can make healthy and successful choices and build strong relationships. This completely revised and updated edition includes a comprehensive anti-bullying component, complete with cutting-edge material specific to cyber-bullying and social media. Designed especially for use with small groups, Seeing Red enables participants to learn from and empower one another. Its unique group process helps children and teens build important developmental objectives such as leadership skills (taking initiative, presenting in front of the group), social skills (taking turns, active listening), and building self-esteem (problem solving, interacting with peers). Key concepts and activities include: Spotting anger triggers and taking responsibility for mistakes Finding healthy ways to deal with provocation and avoiding losing control Identifying feelings, learning steps to control anger and exploring consequences. Facilitators will learn how to empower participants through role playing, helping them to identify associated feelings and recognize negative behaviors. Each session includes objectives, a list of supplies, background notes and preparation tasks for the leader, a warm-up activity, an explanation of the various learning activities, and a closing activity. See for yourself why Seeing Red remains one of the most highly-regarded resources among professionals in the field of children's anger management.

“A brilliantly inventive account of the evolution of consciousness, the best yet” (Paul Broks, Prospect). “Consciousness matters. Arguably it matters more than anything. The purpose of this book is to build towards an explanation of just what the matter is.” Nicholas Humphrey begins this compelling exploration of the biggest of big questions with a challenge to the reader, and himself. What’s involved in “seeing red”? What is it like for us to see someone else seeing something red? Seeing a red screen tells us a fact about something in the world. But it also creates a new fact—a sensation in each of our minds, the feeling of redness. And that’s the mystery. Conventional science so far hasn’t told us what conscious sensations are made of, or how we get access to them, or why we have them at all. From an evolutionary perspective, what’s the point of consciousness? Humphrey offers a daring and novel solution, arguing that sensations are not things that happen to us, they are things we do—originating in our primordial ancestors’ expressions of liking or disgust. Tracing the evolutionary trajectory through to human beings, he shows how this has led to sensations playing the key role in the human sense of Self. The Self, as we now know it from within, seems to have fascinating other-worldly properties. It leads us to believe in mind-body duality and the existence of a soul. And such beliefs—even if mistaken—can be highly adaptive, because they increase the value we place on our own and others’ lives. “Consciousness matters,” Humphrey concludes with striking paradox, “because it is its function to matter. It has been designed to create in human beings a Self whose life is worth pursuing.” Praise for Seeing Red “A wonderful amalgam of science, philosophy, and art. [Seeing Red] is based on deep knowledge of visual processing by the brain and poetic understanding of human experience. This is a remarkable achievement.” —Richard Gregory, Emeritus Professor of Neuropsychology, University of Bristol, and editor of The Oxford Companion to the Mind “A brief, brilliant, and wonderfully lucid contribution to consciousness studies. By combining empirical scientific method, evolutionary theory, and a sensitive appreciation of the arts, Nicholas Humphrey argues plausibly that the “hard problem” of consciousness—the difficulty of explaining the connection between the material brain and the phenomenon of individual selfhood—may itself be the answer to a bigger question: what makes us human?”—David Lodge, author of Consciousness and the Novel: Connected Essays “Illustrating his argument with the musings of poets and painters, Humphrey stylishly inspires curiosity about consciousness.” —Gilbert Taylor, Booklist

Now in Paper! "Seeing Red" Federal Campaigns Against Black Militancy, 1919-1925 Theodore Kornweibel, Jr. A gripping, painstakingly documented account of a neglected chapter in the history of American political intelligence. "Kornweibel is an adept storyteller who admits he is drawn to the role of the historian-as-detective....What emerges is a fascinating tale of secret federal agents, many of them blacks, who were willing to take advantage of the color of their skin to spy upon others of their race. And it is a tale of sometimes desperate and frequently angry government officials, including J. Edgar Hoover, who were willing to go to great lengths to try to stop what they perceived as threats to continued white supremacy." —Patrick S. Washburn, Journalism History Theodore Kornweibel, Jr., Professor of African American history in the Africana Studies Department at San Diego State University, is author of No Crystal Stair and In Search of the Promised Land. Blacks in the Diaspora—Darlene Clark Hine, John McCluskey, Jr., and David Barry Gaspar, general editors

A world-renowned women’s health expert reveals a bold, practical, and data-driven handbook for menstrual periods that provides an easy-to-navigate roadmap for improving your reproductive health—and your everyday quality of life. We’ve been lied to about periods. PMS, cramping, bloating, migraines, irritability, and anxiety may be extremely common, but contrary to popular belief, they aren’t normal. And they certainly aren’t “just part of being a woman,” despite the fact that this is what we’ve been told time and time again—by friends, family, and even doctors. After dedicating her entire clinical career to deconstructing the menstrual cycle, women’s health expert Kirsten Karchmer knows better. During her more than twenty years of research and treating thousands of patients, Karchmer found that most period problems women experience—even the most painful ones—are totally correctable and more surprisingly reflective of overall health and fertility. In this forthright, spirited, and all-encompassing guide, Karchmer draws on her decades’ worth of experience as a women’s health expert to break down the myths so many women have been led to believe about their periods. For the more than 82 million women in the world who suffer from menstrual conditions, Seeing Red explains the importance of a healthy menstrual cycle (and how to achieve it) and why it is important to the women’s movement. Menstrual cycles are not a curse, but an instrument providing women with one of the most valuable, regularly occurring, and free diagnostic tools they have, giving them access to unprecedented health and power.

Average, normal, fourteen-year-old Frankie Uccello learns he's not so average after all when he discovers he can dream the future, but when he dreams of his best friend in danger, Frankie isn't sure he can save him. Simultaneous.

Winner of the Premio Valle Inclán (Spanish Translation) 2019 - Awarded by The Society of Authors Winner of the prestigious Mexican Sor Juana Inés de la Cruz Prize 2018 'A scorching examination of how being utterly dependent on someone - even someone you love - can make you a monster' -- Literary Hub, Translated Books by Women You Need to Read Lucina, a young Chilean writer, has moved to New York to pursue an academic career. While at a party one night, something that her doctors had long warned might happen finally occurs: her eyes haemorrhage. Within minutes, blood floods her vision, reducing her sight to sketched outlines and tones of grey, rendering her all but blind. As she begins to adjust to a very different life, those who love her begin to adjust to a very different woman - one who is angry, raw, funny, sinister, sexual and dizzyingly alive.

Surely you've experienced something like this: you buy a red car, and suddenly red cars appear everywhere. Why? Because you're focusing on red cars - and you get more of whatever you focus on. But much of the time, consciously and unconsciously, we dwell on what we don't want, and that's what we get. Drawing on the latest scientific research, Laura Goodrich shows you how to stop fixating on negatives and rewire your brain to focus on positive outcomes. Unique and practical exercises - including a free online toolkit - and dozens of enlightening real - life stories help you identify what you truly want so that it drives everything you do. And Goodrich shows how Seeing Red Cars can build organizational cultures in which employees are playing to their passions and strengths, focusing on what they want, and achieving breakthrough results.

Do bulls get angry when they see the color red? Do plants grow by snacking on soil? Are bats blind? At one time, science supported wild notions like these! But later studies proved these ideas were nonsense. Discover science's biggest mistakes and oddest assumptions about plants and animals, and see how scientific thought changed over time.

"Carpenter argues that while anger is a neglected element of a broad range of sentimental texts, it should be recognized as a particularly salient subject in early literature written by Native American women."--BOOK JACKET.

Der erste Teil des Buch ist eine vollständige Dokumentation der Ausstellung 'Seeing Red - an International Exhibition of Nonobjective Painting', die im Frühjahr 2003 in den Hunter Art Galleries, New York gezeigt wurde; die Ausstellung umfasste ca. 150 rote Gemälde von 75 Künstlerinnen und Künstlern aus Europa und den USA; im zweiten Teil des Buch wird das Symposium 'Color as Experience' dokumentiert, das anlässlich der Ausstellung im Goethe-Institut, New York, stattfand. Die Geschichte der abstrakten und nicht-gegenständlichen Malerei des 20. Jahrhundert steht zwar im engen Zusammenhang mit der Entwicklung von wissenschaftlichen Farbtheorien, doch wurden diese Beziehung kaum untersucht wie überhaupt Kunst und Wissenschaft nur selten Gegenstand einer systematischen Forschung wurden. Mit der zunehmenden Standardisierung von Farbdarstellungen in den elektronischen Medien ist jedoch das Interesse an den wissenschaftlichen Untersuchungen zur Wirkung von Farbe und dem künstlerischen Umgang mit ihr neu erwacht. Ein wichtiger Aspekt dieser Entwicklung geht auf den Austausch zwischen amerikanischen und deutschen Künstlern und Wissenschaftlern zurück: Die Amerikaner wurden insbesondere durch die beiden deutschen Maler Hans Hofmann und Josef Albers und die Gestalttheoretiker stark beeinflusst, während die nicht-gegenständliche Malerei vor allem in den 50er und 60er Jahren von den Amerikanern vorangetrieben wurde. Die Ausstellung Seeing Red versuchte, dieser Entwicklung mit einem speziellen Ansatz nachzugehen: Idee des Projektes war, über die Thematisierung eines Farbwertes als Malerei ein 'objektives' Kriterium für die Auswahl von Arbeiten zu schaffen. Denkbar waren dabei grundsätzlich zwei Auswahlstrategien, die in der Ausstellung miteinander verschränkt werden sollten - und mussten, weil sie in 'reiner' Form nur theoretisch denkbar sind: Die Entwicklung verschiedener Bildkonzepte und Malstile an/in einem (theoretisch einheitlichen) Farbwert Rot und die Entwicklung des Spektrums von Rot in einem (theoretisch einheitlichen) Bildkonzept oder Malstil. Die Ausstellung zielte also darauf ab, die Grenzen sowohl dessen, was als Rot, bzw. dessen, was als Malerei aufgefasst werden kann, auszuloten. Bilder von Josef Albers; Bernhard Aubertin; Stephan Baumkötter; Herman de Vries; Claudia Desgranges; Helmut Dirnaichner; Rupprecht Geiger; Raimund Girke; Kuno Gonschior; Marcia Hafif; Tinka von Hasselbach; Edgar Hofschen; Gottfried Honegger; Reimer Jochims; Joseph Marioni; Robert Motherwell; Kenneth Noland; Otto Piene; Rolf Rose; Karin Sander; Emil Schumacher; Seán Shanahan; Phil Sims; Frederic Matys Thursz; Peter Tollens und anderen. Beiträge von David Brainard; Tracy L. Adler; William Agee; Christian von Campenhausen; Michael Fehr; John Gage; Jim Gordon; Klaus Honnef; George Roque; Robert Swain; Sanford Wurmfeld und anderen.

In Not Seeing Red, Stephen Karetzky examines American librarianship's attitude towards the Soviet Union from the Russian Revolution through the Cold War. While focusing on the years 1917 through 1960, the work includes an overview of the subsequent period ending with Gorbachev's rise to power. Karetzky's study concentrates on leaders of the library profession in the United States, but also deals with American educationists as well as librarians in Britain and other countries.

If a spinning disk casts a round shadow does this shadow also spin? When you experience the total blackness of a cave, are you seeing in the dark? Or are you merely failing to see anything (just like your blind companion)? Seeing Dark Things uses visual riddles to explore our ability to see things that do not reflect light. Shadows and holes are anomalies for the causal theory of perception, which states that anything we see must be a cause of what we see. This requirement neatly explains why you see the front of a book's jacket and not its rear when you look at it face-on. However, the causal theory has trouble explaining how you manage to see the black letters on its surface. The letters are made visible by the light they fail to reflect rather than by the light they reflect. Nevertheless, Roy Sorensen defends the causal theory of perception by treating absences as causes. His fourteen chapters draw heavily on common sense and psychology to vindicate the assumption that we perceive absences. Seeing Dark Things is philosophy for the eye. It contains fifty-nine figures designed to prompt visual judgment. Sorensen proceeds bottom-up from observation rather than top-down from theory. He regards detailed analysis of absences as premature; he hopes a future theory will refine the pictorial thinking stimulated by the book's riddles. Just as the biologist pursues genetics with fruit flies, the metaphysician can study absences by means of shadows. Shadows are metaphysical amphibians with one foot on the terra firma of common sense and the other in the murky waters of nonbeing. Sorensen portrays the causal theory of perception's confrontation with the shadows as a triumph against alien attack - a victory that deepens a theory that resonates profoundly with common sense and science. In sum, Seeing Dark Things is an unorthodox defense of an orthodox theory. "Seeing Dark Things is an adventurous philosophical exercise in the ontology and epistemology of the commonsense world. Its treatment of the many puzzles that surround such putative 'negative' entities as shadows and holes will make it a classic on the literature on privations for many yeas to come. The book is also a wonderful example of how philosophy can be done without falling into the traps of the academic rigmarole. Sorensen is truly unique in his capacity to bring together classic philosophers, contemporary authors, and ticklish anecdotes." - Achille Varzi, Columbia University "This is a wonderful book, full of a profound, unsettling cleverness and weirdly satisfying counter-intuitiveness that the subject requires...a great book." - Richard Marshall, Bookforum "Sorensen is an extraordinarily fertile and imaginative philosopher, drawing widely on philosophy, physics, biology and vision science to mine his chosen quarry. His arguments, anecdotes and examples are always engaging. Add them to his effortless style and you have a rare commodity - a book of serious philosophy that many non-professionals will enjoy." - Ian Phillips, Times Literary Supplement "Sorensen's book is certainly fascinating and richly thought-provoking... he argues carefully and clearly in favour of his key claims, all of which merit very serious consideration, even if they sometimes provoke one to construct and defend alternative views. That, however, is surely the hallmark of the very best kind of philosophy writing. Seeing Dark Things is a model of this kind." - E.J. Lowe, Philosophy

Why do we need two eyes? Why are all cats grey at night and appear to move faster the day? Why is the sky blue and the setting sun red? This book explains the multifaceted nature of perception, and discusses the mysteries of vision. It provides readers with experiments to help them discover optical illusions and the features of their own perception. Illusions of Seeing begins with a discussion on the essence of light and its perception to the human eye. It presents a comprehensive overview of the basic laws of human perception as well as the fundamentals of good gestalt. Subsequent chapters discuss geometric-optical illusions; the perception of form, brightness, and translucency and their interaction with each other; ambiguous perception, color vision, spatial vision. The book ends with a discussion of the perception of motion and its interaction with color, form, and spatial depth with a full chapter devoted to illusions in our everyday life. Consider this your travel guide in the marvelous world of sight, to experience a completely individual way to understand and improve your own perception. Illusions of Seeing will be of interest to psychologists, physicists, biologists, and undergraduate and graduate students within the field of cognitive psychology.

"This book provides an overall theory of perception and an account of knowledge and justification concerning the physical, the abstract, and the normative. It has the rigor appropriate for professionals but explains its main points using concrete examples. It accounts for two important aspects of perception on which philosophers have said too little: its relevance to a priori knowledge-traditionally conceived as independent of perception-and its role in human action. Overall, the book provides a full-scale account of perception, presents a theory of the a priori, and explains how perception guides action. It also clarifies the relation between action and practical reasoning; the notion of rational action; and the relation between propositional and practical knowledge. Part One develops a theory of perception as experiential, representational, and causally connected with its objects: as a discriminative response to its objects, embodying phenomenally distinctive elements, and yielding rich information that underlies human knowledge. Part Two presents a theory of self-evidence and the a priori. The theory is perceptualist in explicating the apprehension of a priori truths by articulating its parallels to perception. The theory unifies empirical and a priori knowledge by clarifying their reliable causal connections with their objects-connections many have thought impossible for a priori knowledge as about the abstract. Part Three explores how perception guides action; the relation between knowing how and knowing that; the nature of reasons for action; the role of inference in determining it; and the overall conditions for its rationality"--

An accessible yet rigorous and generously illustrated exploration of the computational approach to the study of biological vision. Seeing has puzzled scientists and philosophers for centuries and it continues to do so. This new edition of a classic text offers an accessible but rigorous introduction to the computational approach to understanding biological visual systems. The authors of Seeing, taking as their premise David Marr's statement that “to understand vision by studying only neurons is like trying to understand bird flight by studying only feathers,” make use of Marr's three different levels of analysis in the study of vision: the computational level, the algorithmic level, and the hardware implementation level. Each chapter applies this approach to a different topic in vision by examining the problems the visual system encounters in interpreting retinal images and the constraints available to solve these problems; the algorithms that can realize the solution; and the implementation of these algorithms in neurons. Seeing has been thoroughly updated for this edition and expanded to more than three times its original length. It is designed to lead the reader through the problems of vision, from the common (but mistaken) idea that seeing consists just of making pictures in the brain to the minutiae of how neurons collectively encode the visual features that underpin seeing. Although it assumes no prior knowledge of the field, some chapters present advanced material. This makes it the only textbook suitable for both undergraduate and graduate students that takes a consistently computational perspective, offering a firm conceptual basis for tackling the vast literature on vision. It covers a wide range of topics, including aftereffects, the retina, receptive fields, object recognition, brain maps, Bayesian perception, motion, color, and stereopsis. MatLab code is available on the book's website, which includes a simple demonstration of image convolution.

Logical Atomism is a philosophy that sought to account for the world in all its various aspects by relating it to the structure of the language in which we articulate information. In The Philosophy of Logical Atomism, Bertrand Russell, with input from his young student Ludwig Wittgenstein, developed the concept and argues for a reformed language based on pure logic. Despite Russell’s own future doubts surrounding the concept, this founding and definitive work in analytical philosophy by one of the world’s most significant philosophers is a remarkable attempt to establish a novel way of thinking.