Slave To Fashion

: “Slave to Fashion offers hope of a fairer, more ethical world and gives the reader plenty of tools to navigate a challenging fashion system.”—Livia Firth There are over 35 million people trapped in modern slavery today—the largest number of slaves in modern history. This is fueled by the global demand for cheap labor—which is what makes the fast fashion industry work. Slave to Fashion is a highly accessible book which uses brilliant design, personal stories, and easy-to-grasp infographics to raise awareness among common brand consumers. Fair trade and sustainable fashion expert Safia Minney draws on her extensive knowledge and personal experience to call attention to the human hardship that goes hand-in-hand with producing our clothes, and highlights what governments, business leaders, and consumers can do to call time on this unnecessary suffering. The product of a successful crowdfunding campaign, Slave to Fashion celebrates those fighting for justice and the many initiatives that are taking place. It contains a practical toolkit that all consumers can use to demand change from the companies that produce our clothes. Safia Minney is a pioneer in ethical business. She developed the fashion industry’s first fair trade supply chains and has helped to create social and organic standards to improve the lives of thousands of economically marginalized people in the developing world. Minney now brings her expertise and experience to help businesses embrace sustainability and transparency in their operations and branding. She is the author of several acclaimed books, including Naked Fashion and Slow Fashion.

Fashion college has taught Katie Castle everything she ever needed to know: how to smoke cigarettes and drink; how to flirt with gay men and straight women; how to get into clubs without paying. Possessed of a sharp eye and a stiletto tongue, Katie talks her way into the job of her dreams. Working for chic designer Penny Moss, Katie snags not only a town house in London’s Primrose Hill but also a cute fiancé, Ludo, who happens to be Penny’s son. But one act of libidinal folly with the company delivery driver costs Katie everything: job, boyfriend, flat, friends. Will she be forced to move back with her sartorially challenged parents? Or can she maneuver a return to fashion that somehow doesn’t involve (gasp!) retail? Rebecca Campbell has invented a wisecracking heroine who’ll keep you laughing right up to the last page. Katie’s misfortune will be your delight, as this irrepressible wit carpe diems herself into a set of adventures that once again propels her to the top. Slave to Fashion marks the arrival of an uncommonly smart and very funny new writer.

DIVA provocative and accessible history and study of the sweatshop and a major contribution to the debate over its rebirth /div

Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore diamond-buckled, red-heeled shoes as he circulated through the social scene of eighteenth-century London, and Yinka Shonibare, a prominent Afro-British artist who not only styles himself as a fop but also creates ironic commentaries on black dandyism in his work. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora. Dandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. “Luxury slaves” tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000 and Sean Combs, Miller explains how black people became arbiters of style and how they have historically used the dandy’s signature tools—clothing, gesture, and wit—to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois’s reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art.

This volume in Biblical Theology for Life series dives deeply into the topic of human violence. Before exploring what the Bible says about violence, Old Testament scholar Helen Paynter sets out the contours for the study ahead by addressing the various definitions of violence and the theories of its origins, prevalence, and purpose. What is violence? Is there such a thing as "natural violence"? Is violence a human or social construct or can we describe natural phenomena as violent? How does the concept of violence relate to the concept of evil? Violence is everywhere; is it escapable? How do we resist violence? Having queued up the questions, Paynter takes us to the Bible for answers. Starting with the creation narratives in Genesis considered in comparison with the ancient Near Eastern myths and moving to the conquest of Canaan--the most problematic of biblical narratives--she investigates how these deep myths speak to the origins of human violence and its consequences. The prevalence of violence through biblical history is inescapable. Scripture reveals the hydra-like nature of human violence, investigating types of violence including but not limited to: structural violence, verbal violence, sexual violence, violence as public /political act, racialised violence, including "othering." Through the voices of the prophets and then in the teaching of Jesus, the Bible reveals that the seeds of violence exist within every human heart. Even though we see evidence of resistance movements in the Bible, such as the responses to attempted genocide in Exodus and Esther, it is only on the cross that an absorption of violence by God takes place: a defeat of violence by self-sacrifice. Along the way, Paynter considers other relevant biblical themes, including the apocalypse, "crushing the serpent's head," and the concept of divine vengeance, culminating in the resurrected Christ's lack of vengeance against those who did him to death. In light of the New Testament, we will consider how the first Christians responded to the structural violence of slavery and patriarchy and how they began to apply Jesus' redemptive, non-vengeful theology to their own day. The book concludes by discussing of what this means for Christians today. For many of us who live without routine encounters with or threats of violence, we must consider our responsibility in a world where our experience is the exception. With attention to the multi-headed hydra that is violence and the concealed structures of violence in our own Western society, Paynter challenges readers to consider their own, perhaps inherited, privilege and complicity. The question of how we regard "others," both as individuals and as societies, is a deeply relevant and urgent one for the church: The church can and should be a wholly non-othering body. So what implications does this have for the church and, for example, Black Lives Matter or the rampant xenophobia in our society or immigration and global migration issues? How do we resist evil? What does it mean to turn the other cheek when the cheek that has been slapped is not our own? How do we resist the monster without becoming the monster?

A taste of the forbidden . . . Georgiana Talbot intends to remain a spinster in order to ensure her younger sisters debut and find husbands. But when she encounters a devilish Scot who ignites a searing fire within her, Georgiana realizes just how much she has denied herself regarding the pleasures of the flesh. Determined to learn more, she concocts a daring scheme. A touch of the taboo . . . Seducing the haute ton's premier modiste into buying linen from his mills is foremost on Blane MacLaren's mind. Until his need to bend the brash beauty to his will drives him to enter into a scandalous agreement-Georgiana will purchase his linens if he will tutor her in an array of dark delights and forbidden pleasures. Yet nothing could have prepared him for the effect his very willing student will have on him-or how far a harmless lesson in lust can go.

This reader offers an essential selection of the best work on the Consumer Society. It brings together in an engaging, surprising, and thought provoking way, a diverse range of topics and theoretical perspectives.

Reprint of the original, first published in 1874.

This is the story of a life's obsession. From ben Sherman shirts to boxtop loafers, from bondage trousers to Comme des Garcons, the author has been there, bought it and worn it. It's about why you'd rather not go out at all than go out in the wrong sort of brogues, and why you just had to have a Budgie Jacket to cut it in the playground in 1970. It is also touching, the passionate social history of London street fashion; a fond memoir of working-class lads in tumultuous times and leary schmutter. As the lead writer for hip style bible The Face, He defined what was cool in the mid-eighties for a generation of British teenagers. From mod to punk there's barely a look he didn't dabble in over the years. This witty and often moving sartorial memoir is a love letter to London street fashion, from mods and suedeheads via punk and New Romantic to Comme des Garcon devotees. This is as much a coming of age story about grammar schoolboy the author' own journey from a council estate in Burnt Oak to the student at the London School of Economics - the first in his family to attend university - to hip young man about town, boyfriend of chart diva Sade and voice of a generation, as it is about the clothes he wore. It will enthrall the legions of listeners to his popular daily slot on BBC London, as it will the baby boomers who grew up in London during the 70s and 80s

Winner of the Art Association of Australia and New Zeland prize for Best Edited Book, 2010. Fashion: Critical and Primary Sources is a major multi-volume work of reference which brings together seminal writings on Fashion. The geographical range of the essays crosses Europe, Asia and North America. The essays reveal the wide set of methodological approaches which all bear on the study of Fashion - Sociology, Art History and Cultural History, Anthropology, Social Theory, Dress and Textile Studies. Ordered chronologically, the four volumes cover Late Medieval to Renaissance, the Eighteenth Century, the Nineteenth Century and the Twentieth Century to today. Each volume is separately introduced and the essays structured into coherent sections on specific themes. Fashion: Critical and Primary Sources will prove a major scholarly resource for any researchers involved in the study of Fashion, Dress and Costume.

A sentimental journey through 100 years of fashion accessories. Hundreds of hats, shoes, gloves, scarves, jewelry, handbags, and more are presented in a decade-by-decade progression of fashion styles. 478 color photos, original drawings, and an extensive text bring the twentieth century to life. Collectors of vintage clothing will covet the information and illustrations in this gorgeous work.