The Crippled God

The final, apocalyptic chapter in one of the most original, exciting and acclaimed fantasy series of our time . . . The Bonehunters are marching to Kolanse, and to an unknown fate. They are exhausted - an army on the brink of mutiny. But their commander will not relent. If she can hold her forces and their fragile alliances together, Adjunct Tavore Paran means to challenge the gods... Ranged against Tavore and her allies are the Forkrul Assail. Their desire is to cleanse the world - to eradicate every civilization, to annihilate every human - in order to begin anew. And outside the abandoned city of Kharkanas, thousands have gathered upon the First Shore. Led by Yedan Derryg, they are preparing for the coming of the Tiste Liosan - and a battle they cannot win. It had long been known that there would be a reckoning, but not the true, terrifying scale of what was to come. For the Elder Gods seek to shatter the chains that bind a force of utter devastation and set her free. It seems that, once more, there will be dragons in the world... And so begins the last chapter in Steven Erikson's extraordinary, genre-defining Malazan Book of the Fallen.

Savaged by the K'Chain Nah'Ruk, the Bonehunters march for Kolanse, where waits an unknown fate. Tormented by questions, the army totters on the edge of mutiny, but Adjunct Tavore will not relent. One final act remains, if it is in her power, if she can hold her army together, if the shaky allegiances she has forged can survive all that is to come. A woman with no gifts of magic, deemed plain, unprepossessing, displaying nothing to instill loyalty or confidence, Tavore Paran of House Paran means to challenge the gods – if her own troops don't kill her first. Awaiting Tavore and her allies are the Forkrul Assail, the final arbiters of humanity. Drawing upon an alien power terrible in its magnitude, they seek to cleanse the world, to annihilate every human, every civilization, in order to begin anew. They welcome the coming conflagration of slaughter, for it shall be of their own devising, and it pleases them to know that, in the midst of the enemies gathering against them, there shall be betrayal. In the realm of Kurald Galain, home to the long lost city of Kharkanas, a mass of refugees stand upon the First Shore. Commanded by Yedan Derryg, the Watch, they await the breaching of Lightfall, and the coming of the Tiste Liosan. This is a war they cannot win, and they will die in the name of an empty city and a queen with no subjects. Elsewhere, the three Elder Gods, Kilmandaros, Errastas and Sechul Lath, work to shatter the chains binding Korabas, the Otataral Dragon, from her eternal prison. Once freed, she will rise as a force of devastation, and against her no mortal can stand. At the Gates of Starvald Demelain, the Azath House sealing the portal is dying. Soon will come the Eleint, and once more, there will be dragons in the world.

The ravaged continent of Genabackis has given birth to a terrifying new empire: the Pannion Domin. Like a fanatical tide of corrupted blood, it seethes across the land, devouring all who fail to heed the Word of its elusive prophet, the Pannion Seer. In its path stands an uneasy alliance: Dujek Onearm's Host and the Bridgeburners each now outlawed by the Empress alongside their enemies of old including the grim forces of Warlord Caladan Brood, Anomander Rake, Son of Darkness, and his Tiste Andii, and the Rhivi people of the Plains. But more ancient clans too are gathering. As if in answer to some primal summons, the massed ranks of the undead T'lan Imass have risen. For it would seem something altogether darker and more malign threatens the very substance of this world. The Warrens are poisoned and rumours abound of the Crippled God, now unchained and intent on a terrible revenge... Marking the return of many favourite characters from GARDENS OF THE MOON and introducing a host of remarkable new players, MEMORIES OF ICE is a thrilling new chapter in Erikson's magnificent epic fantasy and another triumph of storytelling.

The Seven Cities Rebellion is over, Sha'ik is dead, but a last rebel force remains, holed up in the city of Y'Ghatan under the fanatical command of Leoman of the Flails. The prospect of laying siege to this ancient fortress makes the battle-weary Malaz 14th Army uneasy - for it was here that the Empire's greatest champion Dassem Ultor was slain and a tide of Malazan blood spilled... But agents of a far greater conflict have made their opening moves. The Crippled God has been granted a place in the pantheon, a schism threatens, sides must be chosen but whatever each god decides, the rules have changed - and the first blood spilled will be in the mortal world: a world in which a host of characters, familiar and new, search for a fate that they might fashion by their own will. If only the gods would leave them alone. But gods are disinclined to be kind. There shall be war, war in the heavens. And the prize? Nothing less than existence itself...

This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece.