The Modern Proper

NATIONAL BESTSELLER “Simple and elegant is the name of the game here. Holly Erickson and Natalie Mortimer have created the ultimate use-everyday cookbook…If the veggie-forward, ‘beautiful, make-able’ recipes don't convince [you] to dive in, the luscious photography surely will.” —Food & Wine Get the most out of your time in the kitchen with these 100 fast, instant-classic dinners that everyone will love. For pretty much everyone, life gets busy—but you still want to cook up a good meal, ideally one that’s accessible, efficient, and doesn’t sacrifice any of the delicious flavors you love. The creators of the popular website The Modern Proper are all about that weeknight dinner, and now, they’re showing you how to reinvent what proper means and be smarter with your time in the kitchen to create meals which will bring friends and family together at the table. The Modern Proper will expand your “go-to” list and help you become a more intuitive, creative cook. Whether you’re a novice or a pro, a busy parent or a workaholic, this book will arm you with tools, tricks, and shortcuts to get dinner on the table. Every ingredient is easy to find, plus you’ll find plenty of swaps and options throughout. Each of the 100 recipes (some all-time fan favorites and many brand-new) includes prep time, cook time, and quick-reference tags. These include: -Stuffed Chicken Breast with Mozzarella and Creamy Kale -Stir-Fried Pork Cutlets with Buttermilk Ranch -Sweet Cider Scallops with Wilted Spinach -Tofu Enchiladas with Red Sauce -And more! With recipes to feed a crowd, an entrée for every palate, a whole chapter of meatballs, and plenty of pantry essentials, The Modern Proper is the new essential cookbook for any and all food lovers.

Christopher Fynsk here offers a sustained critical reading of texts written by Martin Heidegger in the period 1927-1947. His guiding concerns are Heidegger's notions of human finitude and difference, which he first addresses through an analysis of the role played by Mitsein in Being and Time. This analysis in turn affords a critical perspective on Heidegger's own interpretive encounters with Nietzsche and Hölderlin. In a reading of Heidegger's Nietzsche, Fynsk points to a far more ambivalent interpretation than the one commonly attributed to Heidegger. After further elaboration of the problematic of finitude in the context of Heidegger's writings of the 1930s on politics and art, Fynsk looks closely at Heidegger's commentary on Hölderlin. He calls into question Heidegger's claims for the gathering and founding character of poetry, and seeks to raise some basic questions in respect to the nature of the text and the act of interpretation. Presenting a critical confrontation with Heidegger that places itself within what Fynsk refers to as a contemporary "thought of difference," this book should be of interest not only to all students of Heidegger but also to anyone concerned with contemporary literary theory or modern Continental philosophy.

Astrometry - the study of the positions of astronomical objects and how they move across the sky - is a cornerstone of modern astronomy. Pinning down the distances to and motions of stars in our Galaxy is fundamental - it can lead to an understanding of the origin of these stars and how together they affect the evolution of our Galaxy. Similarly, measuring the motions of planets, their satellites and asteroids is crucial to unravelling the origin and evolution of our solar system (as well as to the planning of space missions to explore them). A workshop held jointly by the Royal Greenwich Observatory and the Institute of Astronomy, in Cambridge, offered an unusual opportunity to bring together astronomers from the fields of Galactic and solar system astrometry. Gathered in this volume are the articles they presented. Together, these provide an auspicious review of optical astrometry and our understanding of the evolution of the Galaxy and solar system for graduate students and researchers.

Radical Orthodoxy is the most influential theological development in a generation. Many have been bewildered by the range and intensity of the writings which constitute this movement. This book spans the breadth of the history of thought discussed by Radical Orthodoxy, tackling the accuracy of the historical narratives on which their position depends. The distinguished contributors examine the history of thought as presented by the movement, offering a series of critiques of individual Radical Orthodox 'readings' of key thinkers. Contributors: Eli Diamond, Wayne J. Hankey, Todd Breyfogle, John Marenbon, Richard Cross, Neil G. Robertson, Douglas Hedley, David Peddle, Steven Shakespeare, George Pattison, and Hugh Rayment-Pickard.

Speech Acts, Meaning and Intentions: Critical Approaches to the Philosophy of J.R. Searle (Foundations of Communication and Cognition).

The second edition of this classic study, revised with a new and substantial opening chapter. New edition of a classic study by a leading social theorist Explores three major ideas crucial to contemporary social theory: the information society, post-Fordism, and post-modernism Places the three key ideas within the context of contemporary discourse on globalization.

This collection of philosophical essays addresses important issues in the arts, encompassing painting, sculpture, photography, film and architecture. The author's point of departure is the conviction that art in all its manifestations is an extremely significant cultural practice because it embodies a creative, reflective appropriation of social, political, economic, religious, historical and ecological developments, and as such merits close philosophical scrutiny, reflection and interpretation. The question of whether painting is still a viable artistic practice in our technocratic society is considered here, and it is no accident that both this issue and that of artificial intelligence are approached from the perspective of the phenomenological thought of Maurice Merleau-Ponty, among other thinkers. Equally important is the consideration of the relationship between art and the ethical, as highlighted by significant recent artistic events, as well as discussion of the transformational influence of ecological art and the culturally symptomatic meaning of kitsch. Other themes discussed include play and artistic tradition, formulating a suitable model for art 'beyond' Kierkegaard's aesthetic and ethical models, the meaning of 9/11 for architecture, and Lyotard's claim that today only an aesthetic of the sublime, instead of the beautiful, can help us make sense of art.

The Academy is a prestigious international institution for the study and teaching of Public and Private International Law and related subjects. The work of the Hague Academy receives the support and recognition of the UN. Its purpose is to encourage a thorough and impartial examination of the problems arising from international relations in the field of law. The courses deal with the theoretical and practical aspects of the subject, including legislation and case law. All courses at the Academy are, in principle, published in the language in which they were delivered in the "Collected Courses of the Hague Academy of International Law .

In the late sixteenth through seventeenth centuries, England simultaneously developed a national market and a national literary culture. Writing at the Origin of Capitalism describes how economic change in early modern England created new patterns of textual production and circulation with lasting consequences for English literature. Synthesizing research in book and media history, including investigations of manuscript and print, with Marxist historical theory, this volume demonstrates that England's transition to capitalism had a decisive impact on techniques of writing, rates of literacy, and modes of reception, and, in turn, on the form and style of texts. Individual chapters discuss the impact of market integration on linguistic standardization and the rise of a uniform English prose; the growth of a popular literary market alongside a national market in cheap commodities; and the decline of literary patronage with the monarchy's loosening grip on trade regulation, among other subjects. Peddlers' routes and price integration, monopoly licenses and bills of exchange, all prove vital for understanding early modern English writing. Each chapter reveals how books and documents were embedded in wider economic processes, and as a result, how the origin of capitalism constituted a revolutionary event in the history of English literature.

Spinoza and Biblical Philology in the Dutch Republic, 1660-1710 investigates the biblical criticism of Spinoza from the perspective of the Dutch Reformed society in which the philosopher lived and worked. It focuses on philological investigation of the Bible: its words, language, and the historical context in which it originated. Jetze Touber expertly charts contested issues of biblical philology in mainstream Dutch Calvinism to determine if Spinoza's work on the Bible had bearing on the Reformed understanding of the way society should handle Scripture. Spinoza has received considerable attention both in and outside academia. His unconventional interpretation of the Old Testament passages has been examined repeatedly during the past decades. So has that of fellow 'radicals' (rationalists, radicals, deists, libertines, and enthusiasts), against the backdrop of a society that is assumed to have been hostile, overwhelmed, static, and uniform. Touber counteracts this perspective and considers how the Dutch Republic used biblical philology and biblical criticism, including that of Spinoza. In doing so, Touber takes into account the highly neglected area of the Dutch Reformed ministry and theology of the Dutch Golden Age. The study concludes that Spinoza—rather than simply pushing biblical scholarship in the direction of modernity—acted in an indirect way upon ongoing debates, shifting trends in those debates, but not always in the same direction, and not always equally profoundly at all times, on all levels.

This book treats William Faulkner's major fiction--from Flags in the Dust through to Absalom, Absalom!--to a searching reappraisal under the spotlight of a media-historical inquiry. It proposes that Faulkner's inveterate attraction to the paradigms of romance was disciplined and masked by the recurrent use of metaphorical figures borrowed from the new media ecology. Faulkner dressed up his romance materials in the technological garb of radio, gramophony, photography, and cinema, along with the transportational networks of road and air that were being installed in the 1920s. His modernism emerges from a fraght but productive interplay between his anachronistic predilection for chivalric chichés and his extraordinarily knowledgeable interest in the most up-to-date media institutions and forms. Rather than see Faulkner as a divided author, who worked for money in the magazines and studios while producing his serious fiction in despite of their symbolic economies, this study demonstrates how profoundly his mature art was shot through with the figures and dynamics of the materials he publicly repudiated. The result is a richer and more nuanced understanding of the dialectics of his art.

Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.

Where did your surname come from? Do you know how many people in the United States share it? What does it tell you about your lineage? From the editor of the highly acclaimed Dictionary of Surnames comes the most extensive compilation of surnames in America. The result of 10 years of research and 30 consulting editors, this massive undertaking documents 70,000 surnames of Americans across the country. A reference source like no other, it surveys each surname giving its meaning, nationality, alternate spellings, common forenames associated with it, and the frequency of each surname and forename. The Dictionary of American Family Names is a fascinating journey throughout the multicultural United States, offering a detailed look at the meaning and frequency of surnames throughout the country. For students studying family genealogy, others interested in finding out more about their own lineage, or lexicographers, the Dictionary is an ideal place to begin research.

Reprint of the original, first published in 1860.

A new edition of Gregory Dix's masterpiece, still essential reading for students and scholars and in print constantly for fifty years. Dom Gregory Dix's classic account of the development of the Eucharist rite continues to be the definitive and authoritative work on the subject. He presents his massive scholarship in lively and non technical language for all who wish to understand their worship in terms of the framework from which it has evolved. He demonstrates the creative force of Christianity over the centuries through liturgy and the societies it has moulded. His great work has for nearly fifty years regularly been quoted for its devotional as well as its historical value, and has regularly attracted new readers. In this book for the first time, critical studies in the learned periodicals of many countries have been carefully sifted and the results arranged to give a clear picture of the development of the Eucharistic rite.

Most of us have never found ourselves trapped inside a burning skyscraper or entombed within an Egyptian pyramid--but we probably have some idea of what it would be like because of their portrayal on screen. The movies have overcome the constraints of time and place by bringing us images of diverse and otherwise unfamiliar settings. This work covers the many applications of art and architecture appearing in the movies produced in Hollywood from the very beginning until the fifties. The first chapters deal with the process of design, construction, physical characteristics and immediate functions of a wide variety of architectural sets. The remaining chapters examine the great number of styles shown in those movies and take the reader up to the final triumph of modernist architecture in the aftermath of the Second World War.