The Secret Servant

'A first-class piece of work' New York Times Book Review Major Harry Maxim, formerly of the SAS, is as surprised as anyone when he is hired by 10 Downing Street to assist in matters of defence and security. When there is a suspicious suicide at the Ministry of Defence, and a hand grenade thrown through the door of number 10, Major Maxim's military intelligence training is put to the test. It all seems to point towards Professor John Tyler, a nuclear strategist who will state Britain's case when Europe's think tank on Armageddon gathers in Luxembourg. The Secret Servant is the first novel in the Major Harry Maxim Series.

A terrorist plot in London leads Israeli spy Gabriel Allon on a desperate search for a kidnapped woman in this thriller from #1 New York Times bestselling author Daniel Silva. While in Amsterdam, Israeli intelligence officer and master art restorer Gabriel Allon discovers a plot that is about to explode in the middle of London. The daughter of the American ambassador is to be brutally kidnapped. But Gabriel arrives too late to save her. And when he reveals his face to the plot’s masterminds, his fate is sealed as well. Drawn once more into the service of American intelligence, Gabriel desperately searches for the missing woman as the clock ticks steadily toward the hour of her execution. The search will thrust him into an unlikely alliance with a man who has lost everything because of his devotion to Islam. It will cause him to question the morality of the tactics of his trade. And it might very well cost him his life… A Publishers Weekly Best Book of the Year

A terrorist plot in London leads Israeli spy Gabriel Allon on a desperate search for a kidnapped woman in this thriller from #1 New York Times bestselling author Daniel Silva. While in Amsterdam, Israeli intelligence officer and master art restorer Gabriel Allon discovers a plot that is about to explode in the middle of London. The daughter of the American ambassador is to be brutally kidnapped. But Gabriel arrives too late to save her. And when he reveals his face to the plot’s masterminds, his fate is sealed as well. Drawn once more into the service of American intelligence, Gabriel desperately searches for the missing woman as the clock ticks steadily toward the hour of her execution. The search will thrust him into an unlikely alliance with a man who has lost everything because of his devotion to Islam. It will cause him to question the morality of the tactics of his trade. And it might very well cost him his life… A Publishers Weekly Best Book of the Year

Harry Maxim, a government agent, investigates a mysterious secret in the past of one of Britain's leading nuclear strategists

Looking-Glass Wars: Spies on British Screens since 1960 is a detailed historical and critical overview of espionage in British film and television in the important period since 1960. From that date, the British spy screen was transformed under the influence of the tremendous success of James Bond in the cinema (the spy thriller), and of the new-style spy writing of John le Carré and Len Deighton (the espionage story). In the 1960s, there developed a popular cycle of spy thrillers in the cinema and on television. The new study looks in detail at the cycle which in previous work has been largely neglected in favour of the James Bond films. The study also brings new attention to espionage on British television and popular secret agent series such as Spy Trap, Quiller and The Sandbaggers. It also gives attention to the more ‘realistic’ representation of spying in the film and television adaptations of le Carré and Deighton, and other dramas with a more serious intent. In addition, there is wholly original attention given to ‘nostalgic’ spy fictions on screen, adaptations of classic stories of espionage which were popular in the late 1970s and through the 1980s, and to ‘historical’ spy fiction, dramas which treated ‘real’ cases of espionage and their characters, most notably the notorious Cambridge Spies. Detailed attention is also given to the ‘secret state’ thriller, a cycle of paranoid screen dramas in the 1980s which portrayed the intelligence services in a conspiratorial light, best understood as a reaction to excessive official secrecy and anxieties about an unregulated security service. The study is brought up-to-date with an examination of screen espionage in Britain since the end of the Cold War. The approach is empirical and historical. The study examines the production and reception, literary and historical contexts of the films and dramas. It is the first detailed overview of the British spy screen in its crucial period since the 1960s and provides fresh attention to spy films, series and serials never previously considered.

This is a history of the secret activities of the British government in response to threats to the nation's well-being and stability during the twentieth century. It is based on intensive and widespread research in private and public archives and on documents many of which have only recently come to light or been made available. The dangers perceived by the state have been manifold and various, coming from within and from abroad. Anarchists, fascists, socialists, communists, the IRA, trades-unionists and animal activists as well as spies, terrorists and saboteurs have been the subject of undercover investigation, along with almost every large-scale movement from suffragettes to campaigners for peace and nuclear disarmament. The author describes the methods and people employed, and the mixed nature of their results. The British state has always seen itself as civil and liberal, but as Dr Thurlow shows it has sometimes been far from open. The government has had many weapons at its disposal, from public order acts, censorship, internment and proscription on the one hand, to covert operations, infiltration and manipulation on the other. Yet when examined in the light of new evidence, the activities of the state are fully comprehensible only in terms of those who comprised it. The author shows the tensions among the departments (between MI5, MI6, SIS and the Special Branch, for example), and the crucial part played by individuals whose motives were often far from what the government supposed them to be. This is an at times disturbing, at others almost comical, but always fascinating account. It throws light on the inmost workings of the state, as well as on the movements and people subject to investigation and action.

During World War II, Britain enjoyed spectacular success in the secret war between hostile intelligence services, enabling a substantial and successful expansion of British counter-espionage which continued to grow in the Cold War era. Hugh Trevor-Roper's experiences working in the Secret Intelligence Service (MI6) during the war left a profound impression on him and he later observed the world of intelligence with particular discernment. To Trevor-Roper, who was always interested in the historical dimension of the present and was fully alive to the historical significance of the era in which he lived, the subjects of wartime intelligence and the complex espionage networks that developed in the Cold War period were as worthy of profound investigation and reflection as events from the more-distant past. Expressing his observations through some of his most ironic and entertaining correspondence, articles and reviews, Trevor-Roper wrote vividly about some of the greatest intelligence characters of the age - from Kim Philby and Michael Straight to the Germans Admiral Canaris and Otto John. The coherence, depth and historical vision which unites these writings can only be glimpsed when they are brought together from the scattered publications in which they appeared, and when read beside his unpublished, private reflections. The Secret World unites Trevor-Roper's writings on the subject of intelligence - including the full text of The Philby Affair and some of his personal letters to leading figures. Based on original material and extensive supplementary research by E.D.R Harrison, this book is a sharp, revealing and personal first-hand account of the intelligence world in World War II and the Cold War.

James Bond entered the world in 1953 with the novel Casino Royale by Ian Fleming. Since then, the British secret agent codenamed 007 has become the biggest media phenomenon of the modern age, surpassing and outlasting previous cultural icons such as Sherlock Holmes, Tarzan and The Saint. Bond has conquered all forms of media - from books, films and radio to comic strips and video games - while inspiring a tidal wave of merchandise and a legion of imitators. Although the world has changed almost beyond recognition since his debut, his continuing relevance is affirmed by the multiple generations who have thrilled to his exploits. This book for the first time provides the full enthralling story of how the espionage fantasies of a rather melancholy journalist came to captivate the world. It exposes the setbacks behind the triumphs, from Fleming’s increasing boredom with his own creation to regular crises over re-casting of the cinematic Bond and legal battles in the 1990s that almost destroyed the film franchise. With the help of Bond scholars, Fleming intimates, Bond film crew and others, James Bond: The Secret History shows how the man with the Licence to Kill overcame every hurdle to become the greatest fantasy hero of all time. With a foreword by Jeremy Duns

My own spiritual autobiography

The Historical Dictionary of British Spy Fiction is a detailed overview of the rich history and achievements of the British espionage story in literature, cinema and television. It provides detailed yet accessible information on numerous individual authors, novels, films, filmmakers, television dramas and significant themes within the broader field of the British spy story. It contains a wealth of facts, insights and perspectives, and represents the best single source for the study and appreciation of British spy fiction. British spy fiction is widely regarded as the most significant and accomplished in the world and this book is the first attempt to bring together an informed survey of the achievements in the British spy story in literature, cinema and television. The Historical Dictionary of British Spy Fiction contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on individual authors, stories, films, filmmakers, television shows and the various sub-genres of the British spy story. This book is an excellent access point for students, researchers, and anyone wanting to know more about British spy fiction.

On 9 November 1939, two unsuspecting British agents of the Special Intelligence Services walked into a trap set by German Spymaster Reinhard Heydrich. Believing that they were meeting a dissident German general for talks about helping German military opposition to bring down Hitler and end the war, they were instead taken captive in the Dutch village of Venlo and whisked away to Germany for interrogation by the Gestapo. The incident was a huge embarrassment for the Dutch government and provided the Germans with significant intelligence about SIS operations throughout Europe. The incident itself was an intelligence catastrophe but it also acts as a prism through which a number of other important narrative strands pass. Fundamental to the subterfuge perpetrated at Venlo were unsubstantiated but insistent rumours of high-ranking German generals plotting to overthrow the Nazi regime from within. After the humiliation suffered when Hitler tore up the Munich Agreement, British Prime Minister Neville Chamberlain was anxious to see just how much truth there was in these stories; keen to rehabilitate his reputation through one last effort to find a peaceful rapprochement with Germany. When Franz Fischer, a small-time petty crook and agent provocateur, persuaded British SIS operatives in the Netherlands that he could act as a go-between for the British government with disaffected German generals, the German Security chief Reinhard Heydrich stepped in and quietly took control of the operation. Heydrich’s boss, head of the Gestapo Heinrich Himmler, was anxious to explore the possibility of peace negotiations with Britain and saw an opportunity to exploit the situation for his personal benefit. On the day before a crucial meeting of conspirators and British agents on the Dutch-German border, a bomb exploded in the Bürgerbräukeller in Munich in the exact spot where Hitler had stood to deliver a speech only minutes earlier. The perpetrator was quickly arrested, and Hitler demanded that Himmler find evidence to show that the two events were intimately connected—the British agents were snatched hours later. While the world was coming to terms with the fearsome power of German military might the British intelligence capability in northern Europe was consigned to the dustbin in the sleepy Dutch town of Venlo. This first full account of the Venlo incident explores the wider context of this German intelligence coup, and its consequences.

“The ultimate literary bucket list.” —THE WASHINGTON POST Celebrate the pleasure of reading and the thrill of discovering new titles in an extraordinary book that’s as compulsively readable, entertaining, surprising, and enlightening as the 1,000-plus titles it recommends. Covering fiction, poetry, science and science fiction, memoir, travel writing, biography, children’s books, history, and more, 1,000 Books to Read Before You Die ranges across cultures and through time to offer an eclectic collection of works that each deserve to come with the recommendation, You have to read this. But it’s not a proscriptive list of the “great works”—rather, it’s a celebration of the glorious mosaic that is our literary heritage. Flip it open to any page and be transfixed by a fresh take on a very favorite book. Or come across a title you always meant to read and never got around to. Or, like browsing in the best kind of bookshop, stumble on a completely unknown author and work, and feel that tingle of discovery. There are classics, of course, and unexpected treasures, too. Lists to help pick and choose, like Offbeat Escapes, or A Long Climb, but What a View. And its alphabetical arrangement by author assures that surprises await on almost every turn of the page, with Cormac McCarthy and The Road next to Robert McCloskey and Make Way for Ducklings, Alice Walker next to Izaac Walton. There are nuts and bolts, too—best editions to read, other books by the author, “if you like this, you’ll like that” recommendations , and an interesting endnote of adaptations where appropriate. Add it all up, and in fact there are more than six thousand titles by nearly four thousand authors mentioned—a life-changing list for a lifetime of reading. “948 pages later, you still want more!” —THE WASHINGTON POST

An original study of British foreign policymaking at the highest level, this book will be widely read by international relations specialists while historians will welcome the close-textured account of key episodes of the period 1938-41. It will also reinvigorate debates among political scientists on the nature of Cabinet government.

'Every page of Deighton's work glows with the excitement of discovery ... wonderful' Geoff Dyer, Guardian This unflinching history of the darkest days of the Second World War covers the entire world stage, from the Battle of the Atlantic to Pearl Harbor. Rooted in the personal accounts of the soldiers themselves, Blood, Tears and Folly is a sweeping, moving account of the political machinations, the strategy and tactics, the weapons and the men on both sides who created a world of devastation. 'If he had never written a word of fiction Deighton would still be remembered for his scholarly and merciless history of the Second World War, Blood, Tears and Folly' Peter Millar, The Times

This extraordinary expos of one of the world's greatest and most secretive intelligence agencies is filled with revelations so explosive that the British government attempted to suppress its publication.

A comprehensive two-volume overview and analysis of all facets of espionage in the American historical experience, focusing on key individuals and technologies. In two volumes, Spies, Wiretaps, and Secret Operation: An Encyclopedia of American Espionage ranges across history to provide a comprehensive, thoroughly up-to-date introduction to spying in the United States—why it is done, who does it (both for and against the United States), how it is done, and what its ultimate impact has been. The encyclopedia includes hundreds of entries in chronologically organized sections that cover espionage by and within the United States from colonial times to the 21st century. Entries cover key individuals, technologies, and events in the history of American espionage. Volume two offers overviews of important agencies in the American intelligence community and intelligence organizations in other nations (both allies and adversaries), plus details of spy trade techniques, and a concluding section on the portrayal of espionage in literature and film. The result is a cornerstone resource that moves beyond the Cold War-centric focus of other works on the subject to offer an authoritative contemporary look at American espionage efforts past and present.

Part biography, part forensic jigsaw puzzle, part cold-case detective investigation, The Eagle in the Mirror is the story of Charles Howard 'Dick' Ellis. The longest-serving spy for the British Secret Intelligence Service (MI6), Ellis helped set up the Office of Strategic Services (OSS), now known as the Central Intelligence Agency (CIA), and the Australian Secret Intelligence Service (ASIS). In the 1940s he was considered one of the top three secret agents in MI6 and controlled its activities, as one journalist put it, 'for half the world'. But in the 1980s crusading espionage journalist Chapman Pincher (in the hugely successful books Their Trade is Treachery and Too Secret Too Long) and retired MI5 intelligence officer Peter Wright (in the worldwide bestseller Spycatcher) posthumously accused Ellis of having operated as a 'triple agent' for Nazi Germany and the Soviet Union. In 1965, while under interrogation in London, Ellis had allegedly made a confession that he had supplied information to the Nazis before World War II. However, Pincher's and Wright's accusations against Ellis have never been comprehensively proven. No confession has materialised. Was Ellis guilty or was an innocent man framed? By confessing did he take the fall for someone else? Or had the intelligence agencies of the United States, the United Kingdom and Australia been fatally compromised by a 'super mole'? Internationally bestselling author JESSE FINK (Pure Narco, Bon: The Last Highway, The Youngs) attempts to find out the truth once and for all. The Eagle in the Mirror is not just a long-overdue biography of the unheralded Dick Ellis; it's a gripping real-life international whodunit.

Spying in the United States began during the Revolutionary War, with George Washington as the first director of American intelligence and Benedict Arnold as the first turncoat. The history of American espionage is full of intrigue, failures and triumphs—and motives honorable and corrupt. Several notorious spies became household names—Aldrich Ames, Robert Hanssen, the Walkers, the Rosenbergs—and were the subjects of major motion pictures and television series. Many others have received less attention. This book summarizes hundreds of cases of espionage for and against U.S. interests and offers suggestions for further reading. Milestones in the history of American counterintelligence are noted. Charts describe the motivations of traitors, American targets of foreign intelligence services and American traitors and their foreign handlers. A former member of the U.S. intelligence community, the author discusses trends in intelligence gathering and what the future may hold. An annotated bibliography is provided, written by Hayden Peake, curator of the Historical Intelligence Collection of the Central Intelligence Agency.

From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes. Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium.