Unmasked My Life Solving Americas

**THE INSTANT NEW YORK TIMES BESTSELLER** "It’s a mark of the highest honor when I say it’s even more riveting than an episode of 'Dateline'." —The New York Times From Paul Holes, the detective who found the Golden State Killer, Unmasked is a memoir that "grabs its reader in a stranglehold and proves more fascinating than fiction and darker than any noir narrative." (LA Magazine) I order another bourbon, neat. This is the drink that will flip the switch. I don’t even know how I got here, to this place, to this point. Something is happening to me lately. I’m drinking too much. My sheets are soaking wet when I wake up from nightmares of decaying corpses. I order another drink and swig it, trying to forget about the latest case I can’t shake. Crime solving for me is more complex than the challenge of the hunt, or the process of piecing together a scientific puzzle. The thought of good people suffering drives me, for better or worse, to the point of obsession. People always ask how I am able to detach from the horrors of my work. Part of it is an innate capacity to compartmentalize; the rest is experience and exposure, and I’ve had plenty of both. But I have always taken pride in the fact that I can keep my feelings locked up to get the job done. It’s only been recently that it feels like all that suppressed darkness is beginning to seep out. When I look back at my long career, there is a lot I am proud of. I have caught some of the most notorious killers of the twenty-first century and brought justice and closure for their victims and families. I want to tell you about a lifetime solving these cold cases, from Laci Peterson to Jaycee Dugard to the Pittsburg homicides to, yes, my twenty-year-long hunt for the Golden State Killer. But a deeper question eats at me as I ask myself, at what cost? I have sacrificed relationships, joy—even fatherhood—because the pursuit of evil always came first. Did I make the right choice? It’s something I grapple with every day. Yet as I stand in the spot where a young girl took her last breath, as I look into the eyes of her family, I know that, for me, there has never been a choice. “I don’t know if I can solve your case,” I whisper. “But I promise I will do my best.” It is a promise I know I can keep.

From the detective who helped catch the Golden State Killer, a memoir about investigating America's toughest cold cases, and the rewards - and toll - of a life spent solving crime. For a decade, from 1973, The Golden State Killer stalked and murdered Californians in the dead of night, leaving entire communities afraid to turn off the lights. Then he vanished, and the case remained unsolved. In 1994, when cold-case investigator Paul Holes came across the old file, he swore he would unmask GSK and finally give these families closure. Twenty-four years later, Holes fulfilled that promise, identifying 73-year-old Joseph J. DeAngelo. Headlines blasted around the world: one of America's most prolific serial killers had been caught. That case launched Paul's career into the stratosphere, turning him into an icon in the true-crime world. But while many know the story of the capture of GSK, until now, no one has truly known the man behind it all. In UNMASKED, Paul takes us through his memories of a storied career and provides an insider account of some of the most notorious cases in contemporary American history, including Laci Peterson's murder and Jaycee Dugard's kidnapping. But this is also a revelatory profile of a complex man and what makes him tick: the drive to find closure for victims and their loved ones; the inability to walk away from a challenge - even at the expense of his own happiness. This is a story about the gritty truth of crime solving when there are no 'case closed' headlines. It is the story of a man and his commitment to his cases, and to the people who might have otherwise been forgotten.

From the detective who helped catch the Golden State Killer, a memoir about investigating America's toughest cold cases, and the rewards - and toll - of a life spent solving crime.For a decade, from 1973, The Golden State Killer stalked and murdered Californians in the dead of night, leaving entire communities afraid to turn off the lights. Then he vanished, and the case remained unsolved.In 1994, when cold-case investigator Paul Holes came across the old file, he swore he would unmask GSK and finally give these families closure. Twenty-four years later, Holes fulfilled that promise, identifying 73-year-old Joseph J. DeAngelo. Headlines blasted around the world: one of America's most prolific serial killers had been caught.That case launched Paul's career into the stratosphere, turning him into an icon in the true-crime world. But while many know the story of the capture of GSK, until now, no one has truly known the man behind it all.In UNMASKED, Paul takes us through his memories of a storied career and provides an insider account of some of the most notorious cases in contemporary American history, including Laci Peterson's murder and Jaycee Dugard's kidnapping. But this is also a revelatory profile of a complex man and what makes him tick: the drive to find closure for victims and their loved ones; the inability to walk away from a challenge - even at the expense of his own happiness. This is a story about the gritty truth of crime solving when there are no 'case closed' headlines. It is the story of a man and his commitment to his cases, and to the people who might have otherwise been forgotten.

From the Roaring Twenties to the 1970s detectives reigned supreme in police departments across the country. In this tightly woven slice of true crime reportage, Thomas A. Reppetto offers a behind-the-scenes look into some of the most notable investigations to occur during the golden age of the detective in American criminal justice. From William Burns, who during his heyday was known as America’s Sherlock Holmes, to Thad Brown, who probed the notorious Black Dahlia murder in Los Angeles, to Elliott Ness, who cleaned up the Cleveland police but failed to capture the “Mad Butcher” who decapitated at least a dozen victims, American Detective offers an indelible portrait of the famous sleuths and investigators who played a major role in cracking some of the most notorious criminal cases in U.S. history. Along the way Reppetto takes us deep inside the detective bureaus that were once the nerve centers behind crime-fighting on the streets of America’s great cities, including the FBI itself, under the direction of America’s “top cop,” J. Edgar Hoover. According to Reppetto, detectives were once able watchdogs until their role in policing became diluted by patrol strategies ranging from “stop and frisk” to community policing. Reppetto argues against these current policing systems and calls for a return to the primacy of the detective in criminal investigations.

Robert Graysmith reveals the true identity of Zodiac—America's most elusive serial killer. Between December 1968 and October 1969 a hooded serial killer called Zodiac terrorized San Francisco. Claiming responsibility for thirty-seven murders, he manipulated the media with warnings, dares, and bizarre cryptograms that baffled FBI code-breakers. Then as suddenly as the murders began, Zodiac disappeared into the Bay Area fog. After painstaking investigation and more than thirty years of research, Robert Graysmith finally exposes Zodiac’s true identity. With overwhelming evidence he reveals the twisted private life that led to the crimes, and provides startling theories as to why they stopped. America’s greatest unsolved mystery has finally been solved. INCLUDES PHOTOS AND A COMPLETE REPRODUCTION OF ZODIAC’S LETTERS

All white people understand cultural differences from a platform of relative privilege, affecting their personal and professional interactions. How should they respond when confronted with this knowledge? This introductory book looks at the concept of whiteness, and shows how individuals can 'unmask' their own whiteness and take meaningful steps to break down unconscious bias and structural racism. Exploring how colonial history resulted in white privilege, this book examines how that privilege manifests today in a culturally diverse world, and the links between the rise in far-right politics and anti-immigration rhetoric that led to Brexit and Donald Trump's election. It looks at the pressures on privilege and white populations, with candid reflections on how even well-meaning white people may project unconscious bias in their everyday lives. There are also dedicated chapters on training to raise awareness of white privilege in professional organizations.

Not only have a breathtaking array of musical giants come from the South—think Elvis Presley, Robert Johnson, Louis Armstrong, Jimmie Rodgers, to name just obvious examples—but so have a breathtaking array of American music genres. From blues to rock & roll to jazz to country to bluegrass—and areas in between—it all started in the American South. Since its debut in 1996, The Oxford American's more-or-less annual Southern Music Issue has become legendary for its passionate and wide-ranging approach to music and for working with some of America's greatest writers. These writers—from Peter Guralnick to Nick Tosches to Susan Straight to William Gay—probe the lives and legacies of Southern musicians you may or may not yet be familiar with, but whom you'll love being introduced, or reintroduced, to. In one creative, fresh way or another, these writers also uncover the essence of music—and why music has such power over us. To celebrate ten years of Southern music issues, most of which are sold-out or very hard to find, the fifty-five essays collected in this dynamic, wide-ranging, and vast anthology appeal to both music fans and fans of great writing.

Examining an eclectic group of western women’s autobiographical texts—canonical and otherwise—Playing House in the American West argues for a distinct regional literary tradition characterized by strategic representations of unconventional domestic life. The controlling metaphor Cathryn Halverson uses in her engrossing study is “playing house.” From Caroline Kirkland and Laura Ingalls Wilder to Willa Cather and Marilynne Robinson, from the mid-nineteenth to the late-twentieth centuries, western authors have persistently embraced wayward or eccentric housekeeping to prove a woman’s difference from western neighbors and eastern readers alike. The readings in Playing House investigate the surprising textual ends to which westerners turn the familiar terrain of the home: evaluating community; arguing for different conceptions of race and class; and perhaps most especially, resisting traditional gender roles. Western women writers, Halverson argues, render the home as a stage for autonomy, resistance, and imagination rather than as a site of sacrifice and obligation. The western women examined in Playing House in the American West are promoted and read as representatives of a region, as insiders offering views of distant and intriguing ways of life, even as they conceive of themselves as outsiders. By playing with domestic conventions, they recast the region they describe, portraying the West as a place that fosters female agency, individuality, and subjectivity.

Between the summers of 1967 through 1969, before the term serial killer was coined, a predatory killer stalked the campuses of Eastern Michigan University and the University of Michigan seeking prey until he made the arrogant mistake of killing his last victim in the basement of his uncle's home. All-American boy John Norman Collins was arrested, tried, and convicted of the strangulation murder of Karen Sue Beineman. The other murders attributed to Collins never went to trial, with one exception, and soon became cold cases. With the benefit of fifty years of hindsight, hundreds of vintage newspaper articles, thousands of police reports, and countless interviews, Terror in Ypsilanti: John Norman Collins Unmasked tells the stories of the other victims, recreates the infamous trial that took Collins off the streets, and details Collins' time spent in prison. Terror in Ypsilanti compiles an array of physical and circumstantial evidence drawing an unmistakable portrait of the sadistic murderer who slaughtered these innocent young women.

Examines the important implications of the sense of place in the modern college environment.

In this enthralling narrative-the first of its kind-historian and journalist Ruth Rosen chronicles the history of the American women's movement from its beginnings in the 1960s to the present. Interweaving the personal with the political, she vividly evokes the events and people who participated in our era's most far-reaching social revolution.

Franz (Frank) Oberle was nine years old when his family was relocated from Germany to Poland. Once there, he was taken from his parents to an isolated school where adolescents were being indoctrinated into the Hitler Youth. As the tide of war changed, he became a refugee fleeing the Russian advance, arriving in Dresden as the city became the target of the most horrific Allied bombing of the war. Surviving on grass and stolen eggs, Franz and a friend walked 800 kilometres to his ancestral village on the edge of the Black Forest, only to find that his parents had not returned and to face rejection from his remaining family. But the indominable Franz survived amid the disillusioned populace of Germany and, with his youthful sweetheart, dreamed of a new life in a new land. With the blessing of his beloved Hanna (Joan), he set off for Canada, promising to send for her when he was able to provide for her. Their subsequent life together in BC has encompassed tragedy and pure joy, hard work and hard times, failure and triumph, as Frank Oberle rose from self-educated immigrant to acclaimed federal politician. Set against the backdrops of the Second World War and the raw British Columbia frontier,Finding Home covers Frank's fascinating life story up until the time he visited Germany after a decade in Canada. Rich in detail, drama and humour, this is a love story, an inspirational saga and a book that sings the song of the Canadian immigrant.

Between 1967 and 1976 a number of extraordinary factors converged to produce an uncommonly adventurous era in the history of American film. The end of censorship, the decline of the studio system, economic changes in the industry, and demographic shifts among audiences, filmmakers, and critics created an unprecedented opportunity for a new type of Hollywood movie, one that Jonathan Kirshner identifies as the "seventies film." In Hollywood’s Last Golden Age, Kirshner shows the ways in which key films from this period—including Chinatown, Five Easy Pieces, The Graduate, and Nashville, as well as underappreciated films such as The Friends of Eddie Coyle, Klute, and Night Moves—were important works of art in continuous dialogue with the political, social, personal, and philosophical issues of their times. These "seventies films" reflected the era’s social and political upheavals: the civil rights movement, the domestic consequences of the Vietnam war, the sexual revolution, women’s liberation, the end of the long postwar economic boom, the Shakespearean saga of the Nixon Administration and Watergate. Hollywood films, in this brief, exceptional moment, embraced a new aesthetic and a new approach to storytelling, creating self-consciously gritty, character-driven explorations of moral and narrative ambiguity. Although the rise of the blockbuster in the second half of the 1970s largely ended Hollywood’s embrace of more challenging films, Kirshner argues that seventies filmmakers showed that it was possible to combine commercial entertainment with serious explorations of politics, society, and characters’ interior lives.